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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country in the world by area and the most populous country. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 Narayan in 1974 Ram Narayan (IPA: [raːm naːˈɾaːjəɳ]; 25 December 1927 – 9 November 2024), often referred to with the title Pandit, was an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player. Narayan was born near Udaipur and learned to play the sarangi at an early age. He studied under sarangi players and singers and, as a teenager, worked as a music teacher and travelling musician. All India Radio, Lahore, hired Narayan as an accompanist for vocalists in 1944. Narayan relocated to Delhi following the partition of India in 1947, but, wishing to go beyond accompaniment and frustrated with his supporting role, moved to Mumbai in 1949 to work in Indian cinema. (Full article...)

    Narayan in 1974

    Ram Narayan (IPA: [raːm naːˈɾaːjəɳ]; 25 December 1927 – 9 November 2024), often referred to with the title Pandit, was an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player.

    Narayan was born near Udaipur and learned to play the sarangi at an early age. He studied under sarangi players and singers and, as a teenager, worked as a music teacher and travelling musician. All India Radio, Lahore, hired Narayan as an accompanist for vocalists in 1944. Narayan relocated to Delhi following the partition of India in 1947, but, wishing to go beyond accompaniment and frustrated with his supporting role, moved to Mumbai in 1949 to work in Indian cinema. (Full article...)
  • Image 2 Kapadia in 2018 Dimple Kapadia (born 8 June 1957) is an Indian actress predominantly appearing in Hindi films. Born and raised in Mumbai by wealthy parents, she aspired to become an actress from a young age and received her first opportunity through her father's efforts to launch her in the film industry. She was discovered at age 14 by the filmmaker Raj Kapoor, who cast her in the title role of his teen romance Bobby (1973), which opened to major commercial success and gained her wide public recognition. Shortly before the film's release in 1973, she married the actor Rajesh Khanna and quit acting. Their daughters, Twinkle and Rinke Khanna, both briefly worked as actresses in their youth. Kapadia returned to films in 1984, two years after her separation from Khanna. Her comeback film Saagar, which was released a year later, revived her career. Both Bobby and Saagar won her Filmfare Awards for Best Actress. Through her work over the next decade, she established herself as one of Hindi cinema's leading actresses. While her initial roles often relied on her perceived beauty and sex appeal, Kapadia was keen to challenge herself and expand her range. She was among the first actresses who starred in women-centred Hindi action films but found greater favour with critics when she took on more dramatic roles in both mainstream and neorealist parallel cinema. Appearing in films ranging from marital dramas to literary adaptations, she played troubled women sometimes deemed reflective of her personal experience, and received acclaim for her performances in Kaash (1987), Drishti (1990), Lekin... (1991), and Rudaali (1993). For her role as a professional mourner in Rudaali, she won the National Film Award for Best Actress and a Filmfare Critics Award. She also had supporting roles in the crime dramas Prahaar (1991), Angaar (1992), Gardish (1993) and Krantiveer (1994), the latter securing her another Filmfare Award. (Full article...)

    Kapadia in 2018

    Dimple Kapadia (born 8 June 1957) is an Indian actress predominantly appearing in Hindi films. Born and raised in Mumbai by wealthy parents, she aspired to become an actress from a young age and received her first opportunity through her father's efforts to launch her in the film industry. She was discovered at age 14 by the filmmaker Raj Kapoor, who cast her in the title role of his teen romance Bobby (1973), which opened to major commercial success and gained her wide public recognition. Shortly before the film's release in 1973, she married the actor Rajesh Khanna and quit acting. Their daughters, Twinkle and Rinke Khanna, both briefly worked as actresses in their youth. Kapadia returned to films in 1984, two years after her separation from Khanna. Her comeback film Saagar, which was released a year later, revived her career. Both Bobby and Saagar won her Filmfare Awards for Best Actress. Through her work over the next decade, she established herself as one of Hindi cinema's leading actresses.

    While her initial roles often relied on her perceived beauty and sex appeal, Kapadia was keen to challenge herself and expand her range. She was among the first actresses who starred in women-centred Hindi action films but found greater favour with critics when she took on more dramatic roles in both mainstream and neorealist parallel cinema. Appearing in films ranging from marital dramas to literary adaptations, she played troubled women sometimes deemed reflective of her personal experience, and received acclaim for her performances in Kaash (1987), Drishti (1990), Lekin... (1991), and Rudaali (1993). For her role as a professional mourner in Rudaali, she won the National Film Award for Best Actress and a Filmfare Critics Award. She also had supporting roles in the crime dramas Prahaar (1991), Angaar (1992), Gardish (1993) and Krantiveer (1994), the latter securing her another Filmfare Award. (Full article...)
  • Image 3 Ranaut in 2024 Kangna Amardeep Ranaut (pronounced [kəŋɡənaː raːɳoːʈʰ]; born 23 March 1986) is an Indian actress, filmmaker, and politician serving as a Member of Parliament, Lok Sabha from Mandi since June 2024. Known for her portrayals of strong-willed, unconventional women in female-led Hindi films, she is the recipient of several awards, including four National Film Awards and five Filmfare Awards, and has featured six times in Forbes India's Celebrity 100 list. In 2020, the Government of India honoured her with the Padma Shri, the country's fourth-highest civilian award. At the age of sixteen, Ranaut briefly took up modelling before being trained under theatre director Arvind Gaur. She made her film debut in the 2006 thriller Gangster, for which she was awarded the Filmfare Award for Best Female Debut, and received praise for portraying emotionally intense characters in the dramas Woh Lamhe... (2006), Life in a... Metro (2007) and Fashion (2008). For the last of these, she won the National Film Award for Best Supporting Actress. She appeared in the commercially successful films Raaz: The Mystery Continues (2009) and Once Upon a Time in Mumbaai (2010) but was criticised for being typecast in neurotic roles. A comic role in Tanu Weds Manu (2011) was well-received, though this was followed by a series of brief, glamorous roles in films that failed to propel her career forward. (Full article...)

    Ranaut in 2024

    Kangna Amardeep Ranaut (pronounced [kəŋɡənaː raːɳoːʈʰ]; born 23 March 1986) is an Indian actress, filmmaker, and politician serving as a Member of Parliament, Lok Sabha from Mandi since June 2024. Known for her portrayals of strong-willed, unconventional women in female-led Hindi films, she is the recipient of several awards, including four National Film Awards and five Filmfare Awards, and has featured six times in Forbes India's Celebrity 100 list. In 2020, the Government of India honoured her with the Padma Shri, the country's fourth-highest civilian award.

    At the age of sixteen, Ranaut briefly took up modelling before being trained under theatre director Arvind Gaur. She made her film debut in the 2006 thriller Gangster, for which she was awarded the Filmfare Award for Best Female Debut, and received praise for portraying emotionally intense characters in the dramas Woh Lamhe... (2006), Life in a... Metro (2007) and Fashion (2008). For the last of these, she won the National Film Award for Best Supporting Actress. She appeared in the commercially successful films Raaz: The Mystery Continues (2009) and Once Upon a Time in Mumbaai (2010) but was criticised for being typecast in neurotic roles. A comic role in Tanu Weds Manu (2011) was well-received, though this was followed by a series of brief, glamorous roles in films that failed to propel her career forward. (Full article...)
  • Image 4 Vidya in 2024 Vidya Balan (pronounced [ʋɪd̪ːja baːlən]; born 1 January 1979) is an Indian actress. Known for pioneering a change in the portrayal of women in Hindi cinema with her roles in female-led films, she is the recipient of several awards, including a National Film Award and seven Filmfare Awards. She was awarded the Padma Shri by the Government of India in 2014. Vidya aspired to a career in film from a young age and had her first acting role in the 1995 sitcom Hum Paanch. While pursuing a master's degree in sociology from the University of Mumbai, she made several unsuccessful attempts to start a career in film, and featured in television commercials and music videos. She made her film debut by starring in the Bengali film Bhalo Theko (2003) and received praise for her first Hindi film, the drama Parineeta (2005). This was followed by commercial successes in Lage Raho Munna Bhai (2006) and Bhool Bhulaiyaa (2007), but her subsequent roles failed to propel her career forward. (Full article...)

    Vidya in 2024

    Vidya Balan (pronounced [ʋɪd̪ːja baːlən]; born 1 January 1979) is an Indian actress. Known for pioneering a change in the portrayal of women in Hindi cinema with her roles in female-led films, she is the recipient of several awards, including a National Film Award and seven Filmfare Awards. She was awarded the Padma Shri by the Government of India in 2014.

    Vidya aspired to a career in film from a young age and had her first acting role in the 1995 sitcom Hum Paanch. While pursuing a master's degree in sociology from the University of Mumbai, she made several unsuccessful attempts to start a career in film, and featured in television commercials and music videos. She made her film debut by starring in the Bengali film Bhalo Theko (2003) and received praise for her first Hindi film, the drama Parineeta (2005). This was followed by commercial successes in Lage Raho Munna Bhai (2006) and Bhool Bhulaiyaa (2007), but her subsequent roles failed to propel her career forward. (Full article...)
  • Image 5 Map 1: Mysore and Coorg in a map of peninsular India showing shifting boundaries The political history of the region on the Deccan Plateau in west-central peninsular India (Map 1) that was later divided into Mysore state and Coorg province saw many changes after the fall of the Hindu Vijayanagara Empire in 1565. The rise of Sultan Haidar Ali in 1761 introduced a new period. At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the Muslim Nawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...)
    Mysore is shown in west-central peninsular India with the Madras Presidency bordering it on the east, west, and south, with the Arabian Sea, Indian Ocean, and the Bay of Bengal surrounding the peninsula, and with Sri Lanka in the vicinity to the south-east
    Map 1: Mysore and Coorg in a map of peninsular India showing shifting boundaries


    The political history of the region on the Deccan Plateau in west-central peninsular India (Map 1) that was later divided into Mysore state and Coorg province saw many changes after the fall of the Hindu Vijayanagara Empire in 1565. The rise of Sultan Haidar Ali in 1761 introduced a new period.

    At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the Muslim Nawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...)
  • Image 6 Nil Battey Sannata (lit. 'Zero Divided by Zero Equals Nothing'; slang for "Good for Nothing"), released internationally as The New Classmate, is a 2015 Indian Hindi-language comedy drama film directed by Ashwiny Iyer Tiwari in her feature debut. Produced by Aanand L. Rai, Ajay Rai, and Alan McAlex under the banners of Colour Yellow Productions and JAR Pictures, the film was co-written by Iyer, Neeraj Singh, Pranjal Choudhary, and Nitesh Tiwari. Swara Bhaskar starred as Chanda Sahay, a high-school drop-out household maid and single mother of a sullen young girl named Apeksha, played by Riya Shukla. The film's theme is a person's right to dream and change their lives, irrespective of social status. Released in India on 22 April 2016, Nil Battey Sannata was distributed by Eros International and garnered critical and audience acclaim. Reviewers praised most aspects of the production, especially its narrative and realism, and the performances of the cast, Bhaskar's in particular. At the 62nd Filmfare Awards, Iyer won the Filmfare Award for Best Debut Director, while Bhaskar and Shukla won the Screen Awards for Best Actress (Critics) and Best Child Artist respectively. The film did well at the box-office, collecting a total of around ₹69 million (US$830,000) during its entire theatrical run. The same year, the film was remade in Tamil as Amma Kanakku, with Iyer returning to direct. The following year, it was remade in Malayalam as Udaharanam Sujatha. (Full article...)
    Nil Battey Sannata (lit. 'Zero Divided by Zero Equals Nothing'; slang for "Good for Nothing"), released internationally as The New Classmate, is a 2015 Indian Hindi-language comedy drama film directed by Ashwiny Iyer Tiwari in her feature debut. Produced by Aanand L. Rai, Ajay Rai, and Alan McAlex under the banners of Colour Yellow Productions and JAR Pictures, the film was co-written by Iyer, Neeraj Singh, Pranjal Choudhary, and Nitesh Tiwari. Swara Bhaskar starred as Chanda Sahay, a high-school drop-out household maid and single mother of a sullen young girl named Apeksha, played by Riya Shukla. The film's theme is a person's right to dream and change their lives, irrespective of social status.

    Released in India on 22 April 2016, Nil Battey Sannata was distributed by Eros International and garnered critical and audience acclaim. Reviewers praised most aspects of the production, especially its narrative and realism, and the performances of the cast, Bhaskar's in particular. At the 62nd Filmfare Awards, Iyer won the Filmfare Award for Best Debut Director, while Bhaskar and Shukla won the Screen Awards for Best Actress (Critics) and Best Child Artist respectively. The film did well at the box-office, collecting a total of around ₹69 million (US$830,000) during its entire theatrical run. The same year, the film was remade in Tamil as Amma Kanakku, with Iyer returning to direct. The following year, it was remade in Malayalam as Udaharanam Sujatha. (Full article...)
  • Image 7 Kapoor in 2017 Sonam Kapoor Ahuja (pronounced [soːnəm kəˈpuːr]; born 9 June 1985) is an Indian actress who works in Hindi films. She has received several awards, including a National Film Award and a Filmfare Award. One of the highest-paid Hindi film actresses in the 2010s, Kapoor appeared in Forbes India's Celebrity 100 list from 2012 to 2016. Kapoor, the daughter of actor Anil Kapoor, began her career as an assistant director on filmmaker Sanjay Leela Bhansali's 2005 film Black. She made her acting debut in Bhansali's romantic drama Saawariya (2007), a box office flop, and had her first commercial success with the romantic comedy I Hate Luv Storys (2010). This was followed by a series of commercial failures and repetitive roles, which garnered her negative reviews. The 2013 box office hit Raanjhanaa marked a turning point in Kapoor's career, garnering her praise and Best Actress nominations at several award ceremonies. (Full article...)

    Kapoor in 2017

    Sonam Kapoor Ahuja (pronounced [soːnəm kəˈpuːr]; born 9 June 1985) is an Indian actress who works in Hindi films. She has received several awards, including a National Film Award and a Filmfare Award. One of the highest-paid Hindi film actresses in the 2010s, Kapoor appeared in Forbes India's Celebrity 100 list from 2012 to 2016.

    Kapoor, the daughter of actor Anil Kapoor, began her career as an assistant director on filmmaker Sanjay Leela Bhansali's 2005 film Black. She made her acting debut in Bhansali's romantic drama Saawariya (2007), a box office flop, and had her first commercial success with the romantic comedy I Hate Luv Storys (2010). This was followed by a series of commercial failures and repetitive roles, which garnered her negative reviews. The 2013 box office hit Raanjhanaa marked a turning point in Kapoor's career, garnering her praise and Best Actress nominations at several award ceremonies. (Full article...)
  • Image 8 Kaif promoting Bharat in 2019 Katrina Kaif (pronounced [kəˈʈriːna kɛːf]; born Katrina Turquotte, 16 July 1983) is a British actress who works in Hindi-language films. One of the highest-paid actresses in India, she has received accolades, including four Screen Awards and four Zee Cine Awards, in addition to three Filmfare nominations. Though reception to her acting has varied, she is noted for her action film roles and her dancing ability. Born in British Hong Kong, Kaif lived in several countries before she moved to London for three years. She received her first modelling assignment as a teenager and later pursued a career as a fashion model. At a fashion show in London, Indian filmmaker Kaizad Gustad cast her in Boom (2003), a critical and commercial failure. While Kaif established a successful modelling career in India, she initially had difficulty finding film roles due to her poor command of Hindi. After appearing in the Telugu film Malliswari (2004), Kaif earned commercial success in Bollywood with the romantic comedies Maine Pyaar Kyun Kiya? (2005) and Namastey London (2007). Further success followed with a series of box-office hits, but she was criticised for her acting, repetitive roles, and inclination to male-dominated films. (Full article...)

    Kaif promoting Bharat in 2019

    Katrina Kaif (pronounced [kəˈʈriːna kɛːf]; born Katrina Turquotte, 16 July 1983) is a British actress who works in Hindi-language films. One of the highest-paid actresses in India, she has received accolades, including four Screen Awards and four Zee Cine Awards, in addition to three Filmfare nominations. Though reception to her acting has varied, she is noted for her action film roles and her dancing ability.

    Born in British Hong Kong, Kaif lived in several countries before she moved to London for three years. She received her first modelling assignment as a teenager and later pursued a career as a fashion model. At a fashion show in London, Indian filmmaker Kaizad Gustad cast her in Boom (2003), a critical and commercial failure. While Kaif established a successful modelling career in India, she initially had difficulty finding film roles due to her poor command of Hindi. After appearing in the Telugu film Malliswari (2004), Kaif earned commercial success in Bollywood with the romantic comedies Maine Pyaar Kyun Kiya? (2005) and Namastey London (2007). Further success followed with a series of box-office hits, but she was criticised for her acting, repetitive roles, and inclination to male-dominated films. (Full article...)
  • Image 9 Kal Ho Naa Ho (transl. Tomorrow may never come, pronounced [kəl ɦoː naː ɦoː]), also abbreviated as KHNH, is a 2003 Indian Hindi-language romantic comedy drama film directed by Nikhil Advani in his directorial debut with a story written by Karan Johar with dialogue by Niranjan Iyengar, and produced by Yash Johar. The film stars Jaya Bachchan, Shah Rukh Khan, Saif Ali Khan, and Preity Zinta, with Sushma Seth, Reema Lagoo, Lillete Dubey, and Delnaaz Irani in supporting roles. In the film, Naina Catherine Kapur (Zinta) and Aman Mathur (Shah Rukh Khan) fall in love, but a secret prevents him from reciprocating his feelings and results in a plan to set Naina up with her best friend, Rohit Patel (Saif Ali Khan). Collaborating with Johar, Shankar–Ehsaan–Loy composed the soundtrack and score. Anil Mehta, Manish Malhotra, and Sharmishta Roy were the cinematographer, costume designer and art director, respectively. Principal photography took place in Toronto, New York City, and Mumbai from January to October 2003. The soundtrack was released on 27 September 2003 to positive reviews; the title song, "It's The Time To Disco", "Kuch To Hua Hai", and "Pretty Woman" were particularly well-received. (Full article...)
    Kal Ho Naa Ho (transl. Tomorrow may never come, pronounced [kəl ɦoː naː ɦoː]), also abbreviated as KHNH, is a 2003 Indian Hindi-language romantic comedy drama film directed by Nikhil Advani in his directorial debut with a story written by Karan Johar with dialogue by Niranjan Iyengar, and produced by Yash Johar. The film stars Jaya Bachchan, Shah Rukh Khan, Saif Ali Khan, and Preity Zinta, with Sushma Seth, Reema Lagoo, Lillete Dubey, and Delnaaz Irani in supporting roles. In the film, Naina Catherine Kapur (Zinta) and Aman Mathur (Shah Rukh Khan) fall in love, but a secret prevents him from reciprocating his feelings and results in a plan to set Naina up with her best friend, Rohit Patel (Saif Ali Khan).

    Collaborating with Johar, Shankar–Ehsaan–Loy composed the soundtrack and score. Anil Mehta, Manish Malhotra, and Sharmishta Roy were the cinematographer, costume designer and art director, respectively. Principal photography took place in Toronto, New York City, and Mumbai from January to October 2003. The soundtrack was released on 27 September 2003 to positive reviews; the title song, "It's The Time To Disco", "Kuch To Hua Hai", and "Pretty Woman" were particularly well-received. (Full article...)
  • Image 10 Anbe Sivam (transl. Love Is God) is a 2003 Indian Tamil-language slice-of-life drama film directed by Sundar C and produced by K. Muralitharan, V. Swaminathan and G. Venugopal under the banner of Lakshmi Movie Makers. The film was written by Kamal Haasan, and Madhan provided the dialogues. Anbe Sivam stars Haasan, Madhavan and Kiran Rathod, with Nassar, Santhana Bharathi, Seema and Uma Riyaz Khan playing supporting characters. The film tells the story of Nallasivam and Anbarasu, two men of contrasting personalities who undertake an unexpected journey from Bhubaneswar to Chennai. Produced on a budget of ₹120 million, Anbe Sivam takes on themes such as communism, atheism, and altruism and depicts Haasan's humanist views. The music was composed by Vidyasagar. Arthur A. Wilson served as the cinematographer and M. Prabhaharan served as the art director. (Full article...)
    Anbe Sivam (transl. Love Is God) is a 2003 Indian Tamil-language slice-of-life drama film directed by Sundar C and produced by K. Muralitharan, V. Swaminathan and G. Venugopal under the banner of Lakshmi Movie Makers. The film was written by Kamal Haasan, and Madhan provided the dialogues. Anbe Sivam stars Haasan, Madhavan and Kiran Rathod, with Nassar, Santhana Bharathi, Seema and Uma Riyaz Khan playing supporting characters. The film tells the story of Nallasivam and Anbarasu, two men of contrasting personalities who undertake an unexpected journey from Bhubaneswar to Chennai.

    Produced on a budget of ₹120 million, Anbe Sivam takes on themes such as communism, atheism, and altruism and depicts Haasan's humanist views. The music was composed by Vidyasagar. Arthur A. Wilson served as the cinematographer and M. Prabhaharan served as the art director. (Full article...)
  • Image 11 Core area of Western Chalukya architectural activity in modern Karnataka state, India Western Chalukya architecture (Kannada: ಪಶ್ಚಿಮ ಚಾಲುಕ್ಯ ವಾಸ್ತುಶಿಲ್ಪ), also known as Kalyani Chalukya or Later Chalukya architecture and broadly classified under the Vesara Style, is the distinctive style of ornamented architecture that evolved during the rule of the Western Chalukya Empire in the Tungabhadra region of modern central Karnataka, India, during the 11th and 12th centuries. Western Chalukyan political influence was at its peak in the Deccan Plateau during this period. The centre of cultural and temple-building activity lay in the Tungabhadra region, where large medieval workshops built numerous monuments. These monuments, regional variants of pre-existing dravida (South Indian) temples, form a climax to the wider regional temple architecture tradition called Vesara or Karnata dravida. Temples of all sizes built by the Chalukyan architects during this era remain today as examples of the architectural style. Most notable of the many buildings dating from this period are the Mahadeva Temple at Itagi in the Koppal district, the Kasivisvesvara Temple at Lakkundi in the Gadag district, the Mallikarjuna Temple at Kuruvatti in the Bellary district and the Kallesvara Temple at Bagali in the Davangere district. Other monuments notable for their craftsmanship include the Kaitabheshvara Temple in Kubatur and Kedareshvara Temple in Balligavi, both in the Shimoga district, the Siddhesvara Temple at Haveri in the Haveri district, the Amrtesvara Temple at Annigeri in the Dharwad district, the Sarasvati Temple in Gadag, and the Dodda Basappa Temple at Dambal, both in the Gadag district. (Full article...)
    Core area of Western Chalukya architectural activity in modern Karnataka state, India

    Western Chalukya architecture (Kannada: ಪಶ್ಚಿಮ ಚಾಲುಕ್ಯ ವಾಸ್ತುಶಿಲ್ಪ), also known as Kalyani Chalukya or Later Chalukya architecture and broadly classified under the Vesara Style, is the distinctive style of ornamented architecture that evolved during the rule of the Western Chalukya Empire in the Tungabhadra region of modern central Karnataka, India, during the 11th and 12th centuries. Western Chalukyan political influence was at its peak in the Deccan Plateau during this period. The centre of cultural and temple-building activity lay in the Tungabhadra region, where large medieval workshops built numerous monuments. These monuments, regional variants of pre-existing dravida (South Indian) temples, form a climax to the wider regional temple architecture tradition called Vesara or Karnata dravida. Temples of all sizes built by the Chalukyan architects during this era remain today as examples of the architectural style.

    Most notable of the many buildings dating from this period are the Mahadeva Temple at Itagi in the Koppal district, the Kasivisvesvara Temple at Lakkundi in the Gadag district, the Mallikarjuna Temple at Kuruvatti in the Bellary district and the Kallesvara Temple at Bagali in the Davangere district. Other monuments notable for their craftsmanship include the Kaitabheshvara Temple in Kubatur and Kedareshvara Temple in Balligavi, both in the Shimoga district, the Siddhesvara Temple at Haveri in the Haveri district, the Amrtesvara Temple at Annigeri in the Dharwad district, the Sarasvati Temple in Gadag, and the Dodda Basappa Temple at Dambal, both in the Gadag district. (Full article...)
  • Image 12 Male in Serengeti National Park, Tanzania The lion (Panthera leo) is a large cat of the genus Panthera, native to Africa and India. It has a muscular, broad-chested body; a short, rounded head; round ears; and a dark, hairy tuft at the tip of its tail. It is sexually dimorphic; adult male lions are larger than females and have a prominent mane. It is a social species, forming groups called prides. A lion's pride consists of a few adult males, related females, and cubs. Groups of female lions usually hunt together, preying mostly on medium-sized and large ungulates. The lion is an apex and keystone predator; although some lions scavenge when opportunities occur and have been known to hunt humans, lions typically do not actively seek out and prey on humans. The lion inhabits grasslands, savannahs, and shrublands. It is usually more diurnal than other wild cats, but when persecuted, it adapts to being active at night and at twilight. During the Neolithic period, the lion ranged throughout Africa and Eurasia, from Southeast Europe to India, but it has been reduced to fragmented populations in sub-Saharan Africa and one population in western India. It has been listed as Vulnerable on the IUCN Red List since 1996 because populations in African countries have declined by about 43% since the early 1990s. Lion populations are untenable outside designated protected areas. Although the cause of the decline is not fully understood, habitat loss and conflicts with humans are the greatest causes for concern. (Full article...)

    Male in Serengeti National Park, Tanzania

    The lion (Panthera leo) is a large cat of the genus Panthera, native to Africa and India. It has a muscular, broad-chested body; a short, rounded head; round ears; and a dark, hairy tuft at the tip of its tail. It is sexually dimorphic; adult male lions are larger than females and have a prominent mane. It is a social species, forming groups called prides. A lion's pride consists of a few adult males, related females, and cubs. Groups of female lions usually hunt together, preying mostly on medium-sized and large ungulates. The lion is an apex and keystone predator; although some lions scavenge when opportunities occur and have been known to hunt humans, lions typically do not actively seek out and prey on humans.

    The lion inhabits grasslands, savannahs, and shrublands. It is usually more diurnal than other wild cats, but when persecuted, it adapts to being active at night and at twilight. During the Neolithic period, the lion ranged throughout Africa and Eurasia, from Southeast Europe to India, but it has been reduced to fragmented populations in sub-Saharan Africa and one population in western India. It has been listed as Vulnerable on the IUCN Red List since 1996 because populations in African countries have declined by about 43% since the early 1990s. Lion populations are untenable outside designated protected areas. Although the cause of the decline is not fully understood, habitat loss and conflicts with humans are the greatest causes for concern. (Full article...)
  • Image 13 Rashtrakuta control around 790 AD, during the Tripartite Struggle The Rashtrakutas were a royal Indian dynasty ruling large parts of the Indian subcontinent between the 6th and 10th centuries. The earliest known Rashtrakuta inscription is a 7th-century copper plate grant detailing their rule from Manapur, a city in Central or West India. Other ruling Rashtrakuta clans from the same period mentioned in inscriptions were the kings of Achalapur and the rulers of Kannauj. Several controversies exist regarding the origin of these early Rashtrakutas, their native homeland and their language. The Elichpur clan was a feudatory of the Badami Chalukyas, and during the rule of Dantidurga, it overthrew Chalukya Kirtivarman II and went on to build an empire with the Gulbarga region in modern Karnataka as its base. This clan came to be known as the Rashtrakutas of Manyakheta, rising to power in South India in 753 AD. At the same time the Pala dynasty of Bengal and the Prathihara dynasty of Gurjaratra were gaining force in eastern and northwestern India respectively. An Arabic text, Silsilat al-Tawarikh (851), called the Rashtrakutas one of the four principal empires of the world. (Full article...)

    Rashtrakuta control around 790 AD, during the Tripartite Struggle

    The Rashtrakutas were a royal Indian dynasty ruling large parts of the Indian subcontinent between the 6th and 10th centuries. The earliest known Rashtrakuta inscription is a 7th-century copper plate grant detailing their rule from Manapur, a city in Central or West India. Other ruling Rashtrakuta clans from the same period mentioned in inscriptions were the kings of Achalapur and the rulers of Kannauj. Several controversies exist regarding the origin of these early Rashtrakutas, their native homeland and their language.

    The Elichpur clan was a feudatory of the Badami Chalukyas, and during the rule of Dantidurga, it overthrew Chalukya Kirtivarman II and went on to build an empire with the Gulbarga region in modern Karnataka as its base. This clan came to be known as the Rashtrakutas of Manyakheta, rising to power in South India in 753 AD. At the same time the Pala dynasty of Bengal and the Prathihara dynasty of Gurjaratra were gaining force in eastern and northwestern India respectively. An Arabic text, Silsilat al-Tawarikh (851), called the Rashtrakutas one of the four principal empires of the world. (Full article...)
  • Image 14 Portrait by Alexander Bassano, 1882 Victoria (Alexandrina Victoria; 24 May 1819 – 22 January 1901) was Queen of the United Kingdom of Great Britain and Ireland from 20 June 1837 until her death in 1901. Her reign of 63 years and 216 days—which was longer than those of any of her predecessors—constituted the Victorian era. It was a period of industrial, political, scientific, and military change within the United Kingdom, and was marked by a great expansion of the British Empire. In 1876, the British Parliament voted to grant her the additional title of Empress of India. Victoria was the daughter of Prince Edward, Duke of Kent and Strathearn (the fourth son of King George III), and Princess Victoria of Saxe-Coburg-Saalfeld. After the deaths of her father and grandfather in 1820, she was raised under close supervision by her mother and her comptroller, John Conroy. She inherited the throne aged 18 after her father's three elder brothers died without surviving legitimate issue. Victoria, a constitutional monarch, attempted privately to influence government policy and ministerial appointments; publicly, she became a national icon who was identified with strict standards of personal morality. (Full article...)

    Portrait by Alexander Bassano, 1882

    Victoria (Alexandrina Victoria; 24 May 1819 – 22 January 1901) was Queen of the United Kingdom of Great Britain and Ireland from 20 June 1837 until her death in 1901. Her reign of 63 years and 216 days—which was longer than those of any of her predecessors—constituted the Victorian era. It was a period of industrial, political, scientific, and military change within the United Kingdom, and was marked by a great expansion of the British Empire. In 1876, the British Parliament voted to grant her the additional title of Empress of India.

    Victoria was the daughter of Prince Edward, Duke of Kent and Strathearn (the fourth son of King George III), and Princess Victoria of Saxe-Coburg-Saalfeld. After the deaths of her father and grandfather in 1820, she was raised under close supervision by her mother and her comptroller, John Conroy. She inherited the throne aged 18 after her father's three elder brothers died without surviving legitimate issue. Victoria, a constitutional monarch, attempted privately to influence government policy and ministerial appointments; publicly, she became a national icon who was identified with strict standards of personal morality. (Full article...)
  • Image 15 Ahalya by Raja Ravi Varma (1848–1906) In Hinduism, Ahalya (Sanskrit: अहल्या, IAST: Ahalyā) also spelt as Ahilya, is the wife of the sage Gautama Maharishi. Many Hindu scriptures describe her legend of seduction by the king of the gods Indra, her husband's curse for her infidelity, and her liberation from the curse by the god Rama. Created by the god Brahma as the most beautiful woman, Ahalya was married to the much older Gautama. In the earliest full narrative, when Indra comes disguised as her husband, Ahalya sees through his disguise but nevertheless accepts his advances. Later sources often absolve her of all guilt, describing how she falls prey to Indra's trickery. In all narratives, Ahalya and Indra are cursed by Gautama. The curse varies from text to text, but almost all versions describe Rama as the eventual agent of her liberation and redemption. Although early texts describe how Ahalya must atone by undergoing severe penance while remaining invisible to the world and how she is purified by offering Rama hospitality, in the popular retelling developed over time, Ahalya is cursed to become a stone and regains her human form after she is brushed by Rama's foot. (Full article...)

    Ahalya by Raja Ravi Varma (1848–1906)

    In Hinduism, Ahalya (Sanskrit: अहल्या, IAST: Ahalyā) also spelt as Ahilya, is the wife of the sage Gautama Maharishi. Many Hindu scriptures describe her legend of seduction by the king of the gods Indra, her husband's curse for her infidelity, and her liberation from the curse by the god Rama.

    Created by the god Brahma as the most beautiful woman, Ahalya was married to the much older Gautama. In the earliest full narrative, when Indra comes disguised as her husband, Ahalya sees through his disguise but nevertheless accepts his advances. Later sources often absolve her of all guilt, describing how she falls prey to Indra's trickery. In all narratives, Ahalya and Indra are cursed by Gautama. The curse varies from text to text, but almost all versions describe Rama as the eventual agent of her liberation and redemption. Although early texts describe how Ahalya must atone by undergoing severe penance while remaining invisible to the world and how she is purified by offering Rama hospitality, in the popular retelling developed over time, Ahalya is cursed to become a stone and regains her human form after she is brushed by Rama's foot. (Full article...)
  • Image 16 Murray in 1928 Margaret Alice Murray FSA Scot FRAI (13 July 1863 – 13 November 1963) was an Anglo-Indian Egyptologist, archaeologist, anthropologist, historian, and folklorist. The first woman to be appointed as a lecturer in archaeology in the United Kingdom, she worked at University College London (UCL) from 1898 to 1935. She served as president of the Folklore Society from 1953 to 1955, and published widely over the course of her career. Born to a wealthy middle-class English family in Calcutta, British India, Murray divided her youth between India, Britain, and Germany, training as both a nurse and a social worker. Moving to London, in 1894 she began studying Egyptology at UCL, developing a friendship with department head Flinders Petrie, who encouraged her early academic publications and appointed her junior lecturer in 1898. In 1902–03, she took part in Petrie's excavations at Abydos, Egypt, there discovering the Osireion temple and the following season investigated the Saqqara cemetery, both of which established her reputation in Egyptology. Supplementing her UCL wage by giving public classes and lectures at the British Museum and Manchester Museum, it was at the latter in 1908 that she led the unwrapping of Khnum-nakht, one of the mummies recovered from the Tomb of two Brothers – the first time that a woman had publicly unwrapped a mummy. Recognising that British Egyptomania reflected the existence of a widespread public interest in Ancient Egypt, Murray wrote several books on Egyptology targeted at a general audience. (Full article...)

    Murray in 1928

    Margaret Alice Murray FSA Scot FRAI (13 July 1863 – 13 November 1963) was an Anglo-Indian Egyptologist, archaeologist, anthropologist, historian, and folklorist. The first woman to be appointed as a lecturer in archaeology in the United Kingdom, she worked at University College London (UCL) from 1898 to 1935. She served as president of the Folklore Society from 1953 to 1955, and published widely over the course of her career.

    Born to a wealthy middle-class English family in Calcutta, British India, Murray divided her youth between India, Britain, and Germany, training as both a nurse and a social worker. Moving to London, in 1894 she began studying Egyptology at UCL, developing a friendship with department head Flinders Petrie, who encouraged her early academic publications and appointed her junior lecturer in 1898. In 1902–03, she took part in Petrie's excavations at Abydos, Egypt, there discovering the Osireion temple and the following season investigated the Saqqara cemetery, both of which established her reputation in Egyptology. Supplementing her UCL wage by giving public classes and lectures at the British Museum and Manchester Museum, it was at the latter in 1908 that she led the unwrapping of Khnum-nakht, one of the mummies recovered from the Tomb of two Brothers – the first time that a woman had publicly unwrapped a mummy. Recognising that British Egyptomania reflected the existence of a widespread public interest in Ancient Egypt, Murray wrote several books on Egyptology targeted at a general audience. (Full article...)
  • Image 17 Monier Williams, elected as the second Boden Professor of Sanskrit in 1860; this photograph was taken by Lewis Carroll. The election in 1860 for the position of Boden Professor of Sanskrit at the University of Oxford was a competition between two candidates offering different approaches to Sanskrit scholarship. One was Monier Williams, an Oxford-educated Englishman who had spent 14 years teaching Sanskrit to those preparing to work in British India for the East India Company. The other, Max Müller, was a German-born lecturer at Oxford specialising in comparative philology, the science of language. He had spent many years working on an edition of the Rig Veda (an ancient collection of Vedic Sanskrit hymns) and had gained an international reputation for his scholarship. Williams, in contrast, worked on later material and had little time for the "continental" school of Sanskrit scholarship that Müller exemplified. Williams regarded the study of Sanskrit as a means to an end, namely the conversion of India to Christianity. In Müller's opinion, his own work, while it would assist missionaries, was also valuable as an end in itself. The election came at a time of public debate about Britain's role in India in the wake of the Indian Rebellion of 1857. Opinions were divided on whether greater efforts should be made to convert India or whether to remain sensitive to local culture and traditions. Both men battled for the votes of the electorate (the Convocation of the university, consisting of over 3,700 graduates) through manifestos and newspaper correspondence. Williams laid great stress in his campaign on the intention of the original founder of the chair, that the holder should assist in converting India through dissemination of the Christian scriptures. Müller's view was that his work on the Rig Veda was of great value for missionary work, and published testimonials accordingly. He also wanted to teach wider subjects such as Indian history and literature to assist missionaries, scholars, and civil servants – a proposal that Williams criticised as not in accordance with the original benefactor's wishes. The rival campaigns took out newspaper advertisements and circulated manifestos, and different newspapers backed each man. Although generally regarded as superior to Williams in scholarship, Müller had the double disadvantage (in the eyes of some) of being German and having liberal Christian views. Some of the newspaper pronouncements in favour of Williams were based on a claimed national interest of having an Englishman as Boden professor to assist with the work of governing and converting India. (Full article...)
    Monier Williams, elected as the second Boden Professor of Sanskrit in 1860; this photograph was taken by Lewis Carroll.

    The election in 1860 for the position of Boden Professor of Sanskrit at the University of Oxford was a competition between two candidates offering different approaches to Sanskrit scholarship. One was Monier Williams, an Oxford-educated Englishman who had spent 14 years teaching Sanskrit to those preparing to work in British India for the East India Company. The other, Max Müller, was a German-born lecturer at Oxford specialising in comparative philology, the science of language. He had spent many years working on an edition of the Rig Veda (an ancient collection of Vedic Sanskrit hymns) and had gained an international reputation for his scholarship. Williams, in contrast, worked on later material and had little time for the "continental" school of Sanskrit scholarship that Müller exemplified. Williams regarded the study of Sanskrit as a means to an end, namely the conversion of India to Christianity. In Müller's opinion, his own work, while it would assist missionaries, was also valuable as an end in itself.

    The election came at a time of public debate about Britain's role in India in the wake of the Indian Rebellion of 1857. Opinions were divided on whether greater efforts should be made to convert India or whether to remain sensitive to local culture and traditions. Both men battled for the votes of the electorate (the Convocation of the university, consisting of over 3,700 graduates) through manifestos and newspaper correspondence. Williams laid great stress in his campaign on the intention of the original founder of the chair, that the holder should assist in converting India through dissemination of the Christian scriptures. Müller's view was that his work on the Rig Veda was of great value for missionary work, and published testimonials accordingly. He also wanted to teach wider subjects such as Indian history and literature to assist missionaries, scholars, and civil servants – a proposal that Williams criticised as not in accordance with the original benefactor's wishes. The rival campaigns took out newspaper advertisements and circulated manifestos, and different newspapers backed each man. Although generally regarded as superior to Williams in scholarship, Müller had the double disadvantage (in the eyes of some) of being German and having liberal Christian views. Some of the newspaper pronouncements in favour of Williams were based on a claimed national interest of having an Englishman as Boden professor to assist with the work of governing and converting India. (Full article...)
  • Image 18 Mother India is a 1957 Indian epic drama film, directed by Mehboob Khan and starring Nargis, Sunil Dutt, Rajendra Kumar and Raaj Kumar. A remake of Khan's earlier film Aurat (1940), it is the story of a poverty-stricken village woman named Radha (Nargis), who in the absence of her husband, struggles to raise her sons and survive against a cunning money-lender amidst many troubles. The title of the film was chosen to counter American author Katherine Mayo's 1927 polemical book Mother India, which vilified Indian culture. Mother India metaphorically represents India as a nation in the aftermath of its independence in 1947, and alludes to a strong sense of Indian nationalism and nation-building. Allusions to Hindu mythology are abundant in the film, and its lead character has been seen as a metonymic representation of an Indian woman who reflects high moral values and the concept of what it means to be a mother to society through self-sacrifice. While some authors treat Radha as the symbol of women's empowerment, others see her cast in female stereotypes. The film was shot in Mumbai's Mehboob Studios and in the villages of Maharashtra, Gujarat, and Uttar Pradesh. The music by Naushad introduced global music, including Western classical music and orchestra, to Hindi cinema. (Full article...)
    Mother India is a 1957 Indian epic drama film, directed by Mehboob Khan and starring Nargis, Sunil Dutt, Rajendra Kumar and Raaj Kumar. A remake of Khan's earlier film Aurat (1940), it is the story of a poverty-stricken village woman named Radha (Nargis), who in the absence of her husband, struggles to raise her sons and survive against a cunning money-lender amidst many troubles.

    The title of the film was chosen to counter American author Katherine Mayo's 1927 polemical book Mother India, which vilified Indian culture. Mother India metaphorically represents India as a nation in the aftermath of its independence in 1947, and alludes to a strong sense of Indian nationalism and nation-building. Allusions to Hindu mythology are abundant in the film, and its lead character has been seen as a metonymic representation of an Indian woman who reflects high moral values and the concept of what it means to be a mother to society through self-sacrifice. While some authors treat Radha as the symbol of women's empowerment, others see her cast in female stereotypes. The film was shot in Mumbai's Mehboob Studios and in the villages of Maharashtra, Gujarat, and Uttar Pradesh. The music by Naushad introduced global music, including Western classical music and orchestra, to Hindi cinema. (Full article...)
  • Image 19 Khan in 2018 Shahrukh Khan (pronounced [ˈʃɑːɦɾʊx xɑːn] ⓘ; born 2 November 1965), also known by the initialism SRK, is an Indian actor and film producer who works in Hindi cinema. Referred to in the media as the "Baadshah of Bollywood" and "King Khan", he has appeared in more than 100 films, and earned numerous accolades, including 14 Filmfare Awards. He has been awarded the Padma Shri by the Government of India, as well as the Order of Arts and Letters and Legion of Honour by the Government of France. Khan has a significant following in Asia and the Indian diaspora worldwide. In terms of audience size and income, several media outlets have described him as one of the most successful film stars in the world. Many of his films thematise Indian national identity and connections with diaspora communities, or gender, racial, social and religious differences and grievances. Khan began his career with appearances in several television series in the late 1980s and made his Bollywood debut in 1992 with the musical romance Deewana. He was initially recognised for playing villainous roles in the films Baazigar (1993) and Darr (1993). Khan established himself by starring in a series of top-grossing romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To Pagal Hai (1997), Kuch Kuch Hota Hai (1998), Mohabbatein (2000), Kabhi Khushi Kabhie Gham... (2001), Kal Ho Naa Ho (2003), Veer-Zaara (2004) and Kabhi Alvida Naa Kehna (2006). He earned critical acclaim for his portrayal of an alcoholic in the period romantic drama Devdas (2002), a NASA scientist in the social drama Swades (2004), a hockey coach in the sports drama Chak De! India (2007), and a man with Asperger syndrome in the drama My Name Is Khan (2010). Further commercial successes came with the romances Om Shanti Om (2007) and Rab Ne Bana Di Jodi (2008), and with his expansion to comedies in Chennai Express (2013) and Happy New Year (2014). Following a brief setback and hiatus, Khan made a career comeback with the 2023 action thrillers Pathaan and Jawan, both of which rank among the highest-grossing Indian films. (Full article...)

    Khan in 2018

    Shahrukh Khan (pronounced [ˈʃɑːɦɾʊx xɑːn] ⓘ; born 2 November 1965), also known by the initialism SRK, is an Indian actor and film producer who works in Hindi cinema. Referred to in the media as the "Baadshah of Bollywood" and "King Khan", he has appeared in more than 100 films, and earned numerous accolades, including 14 Filmfare Awards. He has been awarded the Padma Shri by the Government of India, as well as the Order of Arts and Letters and Legion of Honour by the Government of France. Khan has a significant following in Asia and the Indian diaspora worldwide. In terms of audience size and income, several media outlets have described him as one of the most successful film stars in the world. Many of his films thematise Indian national identity and connections with diaspora communities, or gender, racial, social and religious differences and grievances.

    Khan began his career with appearances in several television series in the late 1980s and made his Bollywood debut in 1992 with the musical romance Deewana. He was initially recognised for playing villainous roles in the films Baazigar (1993) and Darr (1993). Khan established himself by starring in a series of top-grossing romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To Pagal Hai (1997), Kuch Kuch Hota Hai (1998), Mohabbatein (2000), Kabhi Khushi Kabhie Gham... (2001), Kal Ho Naa Ho (2003), Veer-Zaara (2004) and Kabhi Alvida Naa Kehna (2006). He earned critical acclaim for his portrayal of an alcoholic in the period romantic drama Devdas (2002), a NASA scientist in the social drama Swades (2004), a hockey coach in the sports drama Chak De! India (2007), and a man with Asperger syndrome in the drama My Name Is Khan (2010). Further commercial successes came with the romances Om Shanti Om (2007) and Rab Ne Bana Di Jodi (2008), and with his expansion to comedies in Chennai Express (2013) and Happy New Year (2014). Following a brief setback and hiatus, Khan made a career comeback with the 2023 action thrillers Pathaan and Jawan, both of which rank among the highest-grossing Indian films. (Full article...)
  • Image 20 Taare Zameen Par (lit. 'Stars on Earth'), also known as Like Stars on Earth in English, is a 2007 Indian Hindi-language psychological drama film produced and directed by Aamir Khan. It stars Khan himself, with Darsheel Safary, Tanay Chheda, Vipin Sharma and Tisca Chopra. It explores the life and imagination of Ishaan (Safary), an artistically gifted 8-year-old boy whose poor academic performance leads his parents to send him to a boarding school, where a new art teacher Nikumbh (Khan) suspects that he is dyslexic and helps him to overcome his reading disorder. Creative director and writer Amole Gupte developed the idea with his wife Deepa Bhatia, who was the film's editor. Shankar–Ehsaan–Loy composed the score, and Prasoon Joshi wrote the lyrics for many of the songs. Principal photography took place in Mumbai, and in Panchgani's New Era High School, where some of the school's students participated in the filming. (Full article...)
    Taare Zameen Par (lit. 'Stars on Earth'), also known as Like Stars on Earth in English, is a 2007 Indian Hindi-language psychological drama film produced and directed by Aamir Khan. It stars Khan himself, with Darsheel Safary, Tanay Chheda, Vipin Sharma and Tisca Chopra. It explores the life and imagination of Ishaan (Safary), an artistically gifted 8-year-old boy whose poor academic performance leads his parents to send him to a boarding school, where a new art teacher Nikumbh (Khan) suspects that he is dyslexic and helps him to overcome his reading disorder.

    Creative director and writer Amole Gupte developed the idea with his wife Deepa Bhatia, who was the film's editor. Shankar–Ehsaan–Loy composed the score, and Prasoon Joshi wrote the lyrics for many of the songs. Principal photography took place in Mumbai, and in Panchgani's New Era High School, where some of the school's students participated in the filming. (Full article...)
  • Image 21 Territory of the Western Chalukyas (c. 1100 CE) in India (modern boundaries shown) and the empire's capital, Kalyani, in the modern Bidar district, Karnataka state, India A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire (973–1200 CE) in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani (now Basavakalyan), and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power. Kannada literature from this period is usually categorised into the linguistic phase called Old-Kannada. It constituted the bulk of the Chalukya court's textual production and pertained mostly to writings relating to the socio-religious development of the Jain faith. The earliest well-known writers belonging to the Shaiva faith are also from this period. Under the patronage of Kalachuri King Bijjala II, whose prime minister was the well-known Kannada poet and social reformer Basavanna, a native form of poetic literature called Vachana literature (lit "utterance", "saying" or "sentence") proliferated. The beginnings of the Vachana poetic tradition in the Kannada-speaking region trace back to the early 11th century. Kannada literature written in the champu metre, composed of prose and verse, was popularised by the Chalukyan court poets. However, with the advent of the Veerashaiva (lit, "brave devotees of the god Shiva") religious movement in the mid-12th century, poets favoured the native tripadi (three-line verse composed of eleven ganas or prosodic units), hadugabba (song-poem) and free verse metres for their poems. (Full article...)
    Territory of the Western Chalukyas (c. 1100 CE) in India (modern boundaries shown) and the empire's capital, Kalyani, in the modern Bidar district, Karnataka state, India

    A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire (973–1200 CE) in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani (now Basavakalyan), and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power.

    Kannada literature from this period is usually categorised into the linguistic phase called Old-Kannada. It constituted the bulk of the Chalukya court's textual production and pertained mostly to writings relating to the socio-religious development of the Jain faith. The earliest well-known writers belonging to the Shaiva faith are also from this period. Under the patronage of Kalachuri King Bijjala II, whose prime minister was the well-known Kannada poet and social reformer Basavanna, a native form of poetic literature called Vachana literature (lit "utterance", "saying" or "sentence") proliferated. The beginnings of the Vachana poetic tradition in the Kannada-speaking region trace back to the early 11th century. Kannada literature written in the champu metre, composed of prose and verse, was popularised by the Chalukyan court poets. However, with the advent of the Veerashaiva (lit, "brave devotees of the god Shiva") religious movement in the mid-12th century, poets favoured the native tripadi (three-line verse composed of eleven ganas or prosodic units), hadugabba (song-poem) and free verse metres for their poems. (Full article...)
  • Image 22 Eega (transl. The Fly) is a 2012 Indian Telugu-language fantasy action film written and directed by S. S. Rajamouli. The film was produced by Sai Korrapati's Vaaraahi Chalana Chitram with an estimated budget of ₹30–40 crore (US$6–7 million). It was filmed simultaneously in Tamil with the title Naan Ee (transl. I, the Fly). The film stars Nani, Samantha, and Sudeepa. M. M. Keeravani composed the songs and the background score, while K. K. Senthil Kumar was the director of photography. Janardhana Maharshi and Crazy Mohan wrote the dialogue for the Telugu and Tamil versions, respectively. The film's narrative is in the form of a bedtime story told by a father to his daughter. Its protagonist, Nani, who is in love with his neighbour Bindu, is murdered by a wealthy industrialist named Sudeep, who is attracted to Bindu and considers Nani a rival. Nani reincarnates as a housefly and tries to avenge his death and protect Bindu from an obsessive Sudeep. (Full article...)
    Eega (transl. The Fly) is a 2012 Indian Telugu-language fantasy action film written and directed by S. S. Rajamouli. The film was produced by Sai Korrapati's Vaaraahi Chalana Chitram with an estimated budget of ₹30–40 crore (US$6–7 million). It was filmed simultaneously in Tamil with the title Naan Ee (transl. I, the Fly). The film stars Nani, Samantha, and Sudeepa. M. M. Keeravani composed the songs and the background score, while K. K. Senthil Kumar was the director of photography. Janardhana Maharshi and Crazy Mohan wrote the dialogue for the Telugu and Tamil versions, respectively.

    The film's narrative is in the form of a bedtime story told by a father to his daughter. Its protagonist, Nani, who is in love with his neighbour Bindu, is murdered by a wealthy industrialist named Sudeep, who is attracted to Bindu and considers Nani a rival. Nani reincarnates as a housefly and tries to avenge his death and protect Bindu from an obsessive Sudeep. (Full article...)
  • Image 23 Phoolan Devi (Hindi: [pʰuː.lən d̪eː.ʋiː], 10 August 1963 – 25 July 2001), popularly known as the Bandit Queen, was an Indian dacoit (bandit) who became a politician, serving as a member of parliament until her assassination. She was a woman of the Mallah subcaste who grew up in poverty in a village in the state of Uttar Pradesh, where her family was on the losing side of a land dispute which caused them many problems. After being married off at the age of eleven and being sexually abused by various people, she joined a gang of dacoits. Her gang robbed higher-caste villages and held up trains and vehicles. When she punished her rapists and evaded capture by the authorities, she became a heroine to the Other Backward Classes who saw her as a Robin Hood figure. Phoolan Devi was charged in absentia for the 1981 Behmai massacre, in which twenty Thakur men were killed, allegedly on her command. After this event, the Chief Minister of Uttar Pradesh resigned, and calls to apprehend her were amplified. She surrendered two years later in a carefully negotiated settlement and spent eleven years in Gwalior prison, awaiting trial. Phoolan Devi was released in 1994 after her charges were set aside. She subsequently became a politician and was elected as a member of parliament for the Samajwadi Party in 1996. She lost her seat in 1998, but regained it the following year. She was the incumbent at the time of her death in 2001. She was assassinated outside her house by Sher Singh Rana, who was convicted for the murder in 2014. At the time of her death, she was still fighting against the reinstituted criminal charges, having lost a 1996 appeal to the Supreme Court to have the charges dropped. Phoolan Devi's worldwide fame grew after the release of the controversial 1994 film Bandit Queen, which told her life story in a way she did not approve of. Her life has also inspired several biographies and her dictated autobiography was entitled I, Phoolan Devi. There are varying accounts of her life because she told differing versions to suit her changing circumstances. (Full article...)
    Phoolan Devi (Hindi: [pʰuː.lən d̪eː.ʋiː], 10 August 1963 – 25 July 2001), popularly known as the Bandit Queen, was an Indian dacoit (bandit) who became a politician, serving as a member of parliament until her assassination. She was a woman of the Mallah subcaste who grew up in poverty in a village in the state of Uttar Pradesh, where her family was on the losing side of a land dispute which caused them many problems. After being married off at the age of eleven and being sexually abused by various people, she joined a gang of dacoits. Her gang robbed higher-caste villages and held up trains and vehicles. When she punished her rapists and evaded capture by the authorities, she became a heroine to the Other Backward Classes who saw her as a Robin Hood figure. Phoolan Devi was charged in absentia for the 1981 Behmai massacre, in which twenty Thakur men were killed, allegedly on her command. After this event, the Chief Minister of Uttar Pradesh resigned, and calls to apprehend her were amplified. She surrendered two years later in a carefully negotiated settlement and spent eleven years in Gwalior prison, awaiting trial.

    Phoolan Devi was released in 1994 after her charges were set aside. She subsequently became a politician and was elected as a member of parliament for the Samajwadi Party in 1996. She lost her seat in 1998, but regained it the following year. She was the incumbent at the time of her death in 2001. She was assassinated outside her house by Sher Singh Rana, who was convicted for the murder in 2014. At the time of her death, she was still fighting against the reinstituted criminal charges, having lost a 1996 appeal to the Supreme Court to have the charges dropped. Phoolan Devi's worldwide fame grew after the release of the controversial 1994 film Bandit Queen, which told her life story in a way she did not approve of. Her life has also inspired several biographies and her dictated autobiography was entitled I, Phoolan Devi. There are varying accounts of her life because she told differing versions to suit her changing circumstances. (Full article...)
  • Image 24 Gay at peak intensity before making landfall on India, on 8 November Typhoon Gay, also known as the Kavali Cyclone of 1989, was a small but powerful tropical cyclone which caused more than 800 fatalities in and around the Gulf of Thailand in November 1989. The worst typhoon to affect the Malay Peninsula in thirty-five years, Gay originated from a monsoon trough over the Gulf of Thailand in early November. Owing to favorable atmospheric conditions, the storm rapidly intensified, attaining winds over 120 km/h (75 mph) by 3 November. Later that day, Gay became the first typhoon since 1891 to make landfall in Thailand, striking Chumphon Province with winds of 185 km/h (115 mph). The small storm emerged into the Bay of Bengal and gradually reorganized over the following days as it approached southeastern India. On 8 November, Gay attained its peak intensity as a Category 5-equivalent cyclone with winds of 260 km/h (160 mph). The cyclone then moved ashore near Kavali, Andhra Pradesh. Rapid weakening ensued inland, and Gay dissipated over Maharashtra early on 10 November. The typhoon's rapid development took hundreds of vessels by surprise, leading to 275 offshore fatalities. Of these, 91 occurred after an oil drilling ship, the Seacrest, capsized amid 6–11 m (20–36 ft) swells. Across the Malay Peninsula, 588 people died from various storm-related incidents. Several towns in coastal Chumphon were destroyed. Losses throughout Thailand totaled ฿11 billion (US $497 million). Striking India as a powerful cyclone, Gay damaged or destroyed about 20,000 homes in Andhra Pradesh, leaving 100,000 people homeless. In that country, 69 deaths and ₹410 million (US $25.3 million) in damage were attributed to Gay. (Full article...)

    Gay at peak intensity before making landfall on India, on 8 November

    Typhoon Gay, also known as the Kavali Cyclone of 1989, was a small but powerful tropical cyclone which caused more than 800 fatalities in and around the Gulf of Thailand in November 1989. The worst typhoon to affect the Malay Peninsula in thirty-five years, Gay originated from a monsoon trough over the Gulf of Thailand in early November. Owing to favorable atmospheric conditions, the storm rapidly intensified, attaining winds over 120 km/h (75 mph) by 3 November. Later that day, Gay became the first typhoon since 1891 to make landfall in Thailand, striking Chumphon Province with winds of 185 km/h (115 mph). The small storm emerged into the Bay of Bengal and gradually reorganized over the following days as it approached southeastern India. On 8 November, Gay attained its peak intensity as a Category 5-equivalent cyclone with winds of 260 km/h (160 mph). The cyclone then moved ashore near Kavali, Andhra Pradesh. Rapid weakening ensued inland, and Gay dissipated over Maharashtra early on 10 November.

    The typhoon's rapid development took hundreds of vessels by surprise, leading to 275 offshore fatalities. Of these, 91 occurred after an oil drilling ship, the Seacrest, capsized amid 6–11 m (20–36 ft) swells. Across the Malay Peninsula, 588 people died from various storm-related incidents. Several towns in coastal Chumphon were destroyed. Losses throughout Thailand totaled ฿11 billion (US $497 million). Striking India as a powerful cyclone, Gay damaged or destroyed about 20,000 homes in Andhra Pradesh, leaving 100,000 people homeless. In that country, 69 deaths and ₹410 million (US $25.3 million) in damage were attributed to Gay. (Full article...)
  • Image 25 Mughal-e-Azam (transl. The Great Mughal) is a 1960 Indian epic historical drama film produced and directed by K. Asif. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love affair between Mughal Prince Salim (who went on to become Emperor Jahangir) and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son. The development of Mughal-e-Azam began in 1944, when Asif read a 1922 play called Anarkali, by the playwright Imtiaz Ali Taj, which is set in the reign of Emperor Akbar (1556–1605). Production was plagued by delays and financial uncertainty. Before its principal photography began in the early 1950s, the project had lost a financier and undergone a complete change of cast. Mughal-e-Azam cost more to produce than any previous Indian motion picture; the budget for a single song sequence exceeded that typical for an entire film of the period. The soundtrack, inspired by Indian classical and folk music, comprises 12 songs voiced by playback singer Lata Mangeshkar along with Mohammed Rafi, Shamshad Begum, and classical singer Bade Ghulam Ali Khan, and is often cited among the finest in the history of Hindi cinema. (Full article...)
    Mughal-e-Azam (transl. The Great Mughal) is a 1960 Indian epic historical drama film produced and directed by K. Asif. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love affair between Mughal Prince Salim (who went on to become Emperor Jahangir) and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son.

    The development of Mughal-e-Azam began in 1944, when Asif read a 1922 play called Anarkali, by the playwright Imtiaz Ali Taj, which is set in the reign of Emperor Akbar (1556–1605). Production was plagued by delays and financial uncertainty. Before its principal photography began in the early 1950s, the project had lost a financier and undergone a complete change of cast. Mughal-e-Azam cost more to produce than any previous Indian motion picture; the budget for a single song sequence exceeded that typical for an entire film of the period. The soundtrack, inspired by Indian classical and folk music, comprises 12 songs voiced by playback singer Lata Mangeshkar along with Mohammed Rafi, Shamshad Begum, and classical singer Bade Ghulam Ali Khan, and is often cited among the finest in the history of Hindi cinema. (Full article...)
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  • Image 1 Jawaharlal Nehru Stadium as it appeared in July 2010, was the main venue for the 1982 Asiad. The 1982 Asian Games (also known as the IX Asiad)[a] was a multi-sport event held in Delhi, India, from 12 November to 4 December 1982. A total of 3,411 athletes from 33 National Olympic Committees (NOCs) participated in these games, competing in 147 events in 21 sports and 22 disciplines. The number of participating countries was the greatest in Asian Games history. Sport events of handball, equestrian, rowing and golf were included for the first time; while fencing and bowling were excluded. This medal table ranks the participating NOCs by the number of gold medals won by their athletes. Athletes from 23 participating NOCs won at least one medal; athletes from 16 of these NOCs secured at least one gold. Athletes from China won 61 gold medals, the most of any nation at these Asiad, and led the gold-medal count for the first time in their Asiad history. Japan had won the greatest number of medals in previous editions of the Games. China first competed at the Asian Games in 1974, in Tehran, where it finished third. Athletes from both China and Japan won the most total medals with 153. China has secured the top medal spot in every Asiad since 1982. South Korea finished third in total medals. North Korea finished fifth in total medals, and fourth in the gold-medal count. Host nation India finished the games with 57 medals overall (13 gold, 19 silver and 25 bronze, its best performance since 1951), in fifth spot in terms of total gold medals. (Full article...)
    A multipurpose sports arena located in Delhi
    Jawaharlal Nehru Stadium as it appeared in July 2010, was the main venue for the 1982 Asiad.

    The 1982 Asian Games (also known as the IX Asiad)[a] was a multi-sport event held in Delhi, India, from 12 November to 4 December 1982. A total of 3,411 athletes from 33 National Olympic Committees (NOCs) participated in these games, competing in 147 events in 21 sports and 22 disciplines. The number of participating countries was the greatest in Asian Games history. Sport events of handball, equestrian, rowing and golf were included for the first time; while fencing and bowling were excluded. This medal table ranks the participating NOCs by the number of gold medals won by their athletes.

    Athletes from 23 participating NOCs won at least one medal; athletes from 16 of these NOCs secured at least one gold. Athletes from China won 61 gold medals, the most of any nation at these Asiad, and led the gold-medal count for the first time in their Asiad history. Japan had won the greatest number of medals in previous editions of the Games. China first competed at the Asian Games in 1974, in Tehran, where it finished third. Athletes from both China and Japan won the most total medals with 153. China has secured the top medal spot in every Asiad since 1982. South Korea finished third in total medals. North Korea finished fifth in total medals, and fourth in the gold-medal count. Host nation India finished the games with 57 medals overall (13 gold, 19 silver and 25 bronze, its best performance since 1951), in fifth spot in terms of total gold medals. (Full article...)
  • Image 2 Thani Oruvan is a 2015 Indian Tamil-language action thriller film directed by Mohan Raja, who also co-wrote the screenplay and dialogues with the duo Subha. The film features Jayam Ravi, Arvind Swami and Nayanthara in the lead roles. Thambi Ramaiah, Ganesh Venkatraman, Mugdha Godse and Nassar play supporting roles. The film's story focuses on Mithran (Ravi), an IPS officer, who learns of the plans of scientist and businessman Siddharth Abhimanyu (Swami) to sabotage a deal to make generic medicines available at low cost for poor people. Siddharth succeeds in his plan and begins indulging in a game of cat and mouse with Mithran. The rest of the story revolves around how Mithran overcomes the obstacles set by Siddharth. Produced by Kalpathi S. Aghoram, Kalpathi S. Ganesh and Kalpathi S. Suresh under their company AGS Entertainment, the film's soundtrack and score were composed by Hiphop Tamizha. Ramji and Gopi Krishna handled the cinematography and editing respectively. Made on a budget of ₹200 million, Thani Oruvan was released on 28 August 2015 and received positive reviews. It was commercially successful, grossing ₹1.05 billion worldwide. The film won 21 awards from 37 nominations; its direction, story, screenplay, performances of the cast members and music have received the most attention from award groups. (Full article...)

    Thani Oruvan is a 2015 Indian Tamil-language action thriller film directed by Mohan Raja, who also co-wrote the screenplay and dialogues with the duo Subha. The film features Jayam Ravi, Arvind Swami and Nayanthara in the lead roles. Thambi Ramaiah, Ganesh Venkatraman, Mugdha Godse and Nassar play supporting roles. The film's story focuses on Mithran (Ravi), an IPS officer, who learns of the plans of scientist and businessman Siddharth Abhimanyu (Swami) to sabotage a deal to make generic medicines available at low cost for poor people. Siddharth succeeds in his plan and begins indulging in a game of cat and mouse with Mithran. The rest of the story revolves around how Mithran overcomes the obstacles set by Siddharth. Produced by Kalpathi S. Aghoram, Kalpathi S. Ganesh and Kalpathi S. Suresh under their company AGS Entertainment, the film's soundtrack and score were composed by Hiphop Tamizha. Ramji and Gopi Krishna handled the cinematography and editing respectively.

    Made on a budget of ₹200 million, Thani Oruvan was released on 28 August 2015 and received positive reviews. It was commercially successful, grossing ₹1.05 billion worldwide. The film won 21 awards from 37 nominations; its direction, story, screenplay, performances of the cast members and music have received the most attention from award groups. (Full article...)
  • Image 3 Virat Kohli receiving Rajiv Gandhi Khel Ratna Award in 2018 The Khel Ratna Award (Hindi pronunciation: [kʰeːl rət̪nə]), officially known as the Major Dhyan Chand Khel Ratna Award (transl. Major Dhyan Chand Sport Jewel Award) or formerly known as the Rajiv Gandhi Khel Ratna Award, is the highest sporting honour of India. It is awarded annually by the Ministry of Youth Affairs and Sports, Government of India. Recipients are selected by a committee constituted by the Ministry and honoured for their "spectacular and most outstanding performance in the field of sports over a period of four years" at an international level. As of 2020[update], the award comprises a medallion, a certificate, and a cash prize of ₹25 lakh (US$30,000). (Full article...)

    Virat Kohli receiving Rajiv Gandhi Khel Ratna Award in 2018

    The Khel Ratna Award (Hindi pronunciation: [kʰeːl rət̪nə]), officially known as the Major Dhyan Chand Khel Ratna Award (transl. Major Dhyan Chand Sport Jewel Award) or formerly known as the Rajiv Gandhi Khel Ratna Award, is the highest sporting honour of India. It is awarded annually by the Ministry of Youth Affairs and Sports, Government of India.

    Recipients are selected by a committee constituted by the Ministry and honoured for their "spectacular and most outstanding performance in the field of sports over a period of four years" at an international level. As of 2020, the award comprises a medallion, a certificate, and a cash prize of ₹25 lakh (US$30,000). (Full article...)
  • Image 4 A portrait of Satyajit Ray Satyajit Ray (listen; 2 May 1921 – 23 April 1992) was an Indian filmmaker who worked prominently in Bengali cinema and who has often been regarded as one of the greatest and most influential directors in the History of cinema. Ray was born in Calcutta (now Kolkata) to a Bengali family and started his career as a junior visualiser. His meeting with French film director Jean Renoir, who had come to Calcutta in 1949 to shoot his film The River (1951), and his 1950 visit to London, where he saw Vittorio De Sica's Ladri di biciclette (Bicycle Thieves) (1948), inspired Ray to become a film-maker. Ray made his directorial debut in 1955 with Pather Panchali and directed 36 films, comprising 29 feature films, five documentaries, and two short films. Although Ray's work generally received critical acclaim, his film Pather Panchali and Ashani Sanket (1973) were criticised for "exporting poverty" and "distorting India's image abroad". His Apu Trilogy (1955–1959) appeared in Time's All-Time 100 Movies in 2005. Aside from directing, Ray composed music and wrote screenplays for films, both his own and those by other directors. Often credited as a fiction writer, illustrator, and calligrapher; Ray authored several short stories and novels in Bengali, most of which were aimed at children and adolescents. Some of his short stories have been adapted into films by other directors, including his only son, Sandip Ray. Considered a cultural icon in India and acknowledged for his contribution to Indian cinema, Ray has influenced several filmmakers around the world, including Wes Anderson, Martin Scorsese, James Ivory, François Truffaut, Carlos Saura, and Christopher Nolan. (Full article...)
    A portrait of Satyajit Ray wearing a white Kurta and right-hand kept on his chin
    A portrait of Satyajit Ray


    Satyajit Ray (listen; 2 May 1921 – 23 April 1992) was an Indian filmmaker who worked prominently in Bengali cinema and who has often been regarded as one of the greatest and most influential directors in the History of cinema. Ray was born in Calcutta (now Kolkata) to a Bengali family and started his career as a junior visualiser. His meeting with French film director Jean Renoir, who had come to Calcutta in 1949 to shoot his film The River (1951), and his 1950 visit to London, where he saw Vittorio De Sica's Ladri di biciclette (Bicycle Thieves) (1948), inspired Ray to become a film-maker. Ray made his directorial debut in 1955 with Pather Panchali and directed 36 films, comprising 29 feature films, five documentaries, and two short films.

    Although Ray's work generally received critical acclaim, his film Pather Panchali and Ashani Sanket (1973) were criticised for "exporting poverty" and "distorting India's image abroad". His Apu Trilogy (1955–1959) appeared in Time's All-Time 100 Movies in 2005. Aside from directing, Ray composed music and wrote screenplays for films, both his own and those by other directors. Often credited as a fiction writer, illustrator, and calligrapher; Ray authored several short stories and novels in Bengali, most of which were aimed at children and adolescents. Some of his short stories have been adapted into films by other directors, including his only son, Sandip Ray. Considered a cultural icon in India and acknowledged for his contribution to Indian cinema, Ray has influenced several filmmakers around the world, including Wes Anderson, Martin Scorsese, James Ivory, François Truffaut, Carlos Saura, and Christopher Nolan. (Full article...)
  • Image 5 Vishwaroopam is a 2013 Indian spy thriller film directed by Kamal Haasan. Besides starring in the lead role with Pooja Kumar, Haasan co-produced the film with S. Chandrahaasan and Prasad V. Potluri, and co-wrote the script with Atul Tiwari. Andrea Jeremiah, Rahul Bose, Shekhar Kapur and Nassar play supporting roles in the film. The film's story revolves around Wisam Ahmed Kashmiri, a spy from India's intelligence agency Research and Analysis Wing, stopping a group of Al-Qaeda terrorists led by Omar (Bose) from triggering a dirty bomb made by scraping caesium from oncological equipment in New York City. A bilingual film, made in Tamil and Hindi (as Vishwaroop), the soundtrack and score were composed by Shankar–Ehsaan–Loy. Sanu Varghese and Mahesh Narayanan were in charge of the film's cinematography and editing respectively. Lalgudi N. Ilaiyaraaja and Boontawee 'Thor' Taweepasas were in charge of art direction while Birju Maharaj handled the choreography. Vishwaroopam was made on a budget of ₹950 million. The film was released on 25 January 2013 worldwide except Tamil Nadu where it was banned due to protest by Islamic organisations which cited that Muslims were depicted in a negative manner. The ban on the film was lifted and it released on 7 February 2013 after a mutual agreement between Haasan and the organisations; the Hindi version was released on 1 February 2013. Both versions received generally positive reviews and were commercial successes at the box office, collectively grossing ₹2.2 billion overall. (Full article...)
    Vishwaroopam is a 2013 Indian spy thriller film directed by Kamal Haasan. Besides starring in the lead role with Pooja Kumar, Haasan co-produced the film with S. Chandrahaasan and Prasad V. Potluri, and co-wrote the script with Atul Tiwari. Andrea Jeremiah, Rahul Bose, Shekhar Kapur and Nassar play supporting roles in the film. The film's story revolves around Wisam Ahmed Kashmiri, a spy from India's intelligence agency Research and Analysis Wing, stopping a group of Al-Qaeda terrorists led by Omar (Bose) from triggering a dirty bomb made by scraping caesium from oncological equipment in New York City. A bilingual film, made in Tamil and Hindi (as Vishwaroop), the soundtrack and score were composed by Shankar–Ehsaan–Loy. Sanu Varghese and Mahesh Narayanan were in charge of the film's cinematography and editing respectively. Lalgudi N. Ilaiyaraaja and Boontawee 'Thor' Taweepasas were in charge of art direction while Birju Maharaj handled the choreography.

    Vishwaroopam was made on a budget of ₹950 million. The film was released on 25 January 2013 worldwide except Tamil Nadu where it was banned due to protest by Islamic organisations which cited that Muslims were depicted in a negative manner. The ban on the film was lifted and it released on 7 February 2013 after a mutual agreement between Haasan and the organisations; the Hindi version was released on 1 February 2013. Both versions received generally positive reviews and were commercial successes at the box office, collectively grossing ₹2.2 billion overall. (Full article...)
  • Image 6 Shetty at the trailer launch of Baahubali: The Beginning (2015) Anushka Shetty is an Indian actress who appears in Telugu and Tamil films. She is widely regarded as one of the most successful and influential actress in the history of Telugu cinema and widely addressed as "Lady Superstar of Indian Cinema". She made her acting debut in Puri Jagannadh's 2005 Telugu film Super, and appeared in Mahanandi, released later the same year. The following year, she had four releases, the first being S. S. Rajamouli's Vikramarkudu, which helped her gain recognition, followed by Astram (a remake of the 1999 Hindi film Sarfarosh), the Sundar C-directed Rendu, (which marked her debut in Tamil cinema), and a special appearance in AR Murugadoss' Telugu film Stalin. She had two releases in 2007: Lakshyam and Don. In 2008, she appeared in six films, including Okka Magaadu, Swagatam and Souryam. In 2009, Shetty played two roles in the fantasy Arundhati. She went on to win the Nandi Special Jury Award and the Filmfare Best Telugu Actress Award for this film. Her next release that year was Billa, a Telugu remake of the 2007 Tamil film of the same name. Her final release in 2009 was her second Tamil feature film, the masala film Vettaikaaran, where she appeared as a medical student. Shetty had a string of releases in 2010. She portrayed a prostitute in Krish's Vedam, which won her the Filmfare Award for Best Telugu Actress. Despite critical acclaim, the film failed at the box office. None of her other releases in 2010 succeeded commercially, except for her sole Tamil release of the year, the masala Singam. The following year, Anushka had two releases, both in Tamil. She reprised her Vedam role in its remake Vaanam, then appeared as an advocate in the A. L. Vijay-directed Deiva Thirumagal, a loose adaptation of the American film I Am Sam (2001). The following year, she also had two releases: Thaandavam in Tamil, and Damarukam in Telugu. Her first release in 2013 was Suraj's Tamil masala Alex Pandian, a critical and commercial failure. This was followed by Mirchi in Telugu, Singam II (where she reprised her role from Singam), and Selvaraghavan's Tamil romantic fantasy Irandaam Ulagam where she played three distinct roles. Her sole release of 2014 was K. S. Ravikumar's Lingaa. (Full article...)
    Shetty at the trailer launch of Baahubali: The Beginning (2015)

    Anushka Shetty is an Indian actress who appears in Telugu and Tamil films. She is widely regarded as one of the most successful and influential actress in the history of Telugu cinema and widely addressed as "Lady Superstar of Indian Cinema". She made her acting debut in Puri Jagannadh's 2005 Telugu film Super, and appeared in Mahanandi, released later the same year. The following year, she had four releases, the first being S. S. Rajamouli's Vikramarkudu, which helped her gain recognition, followed by Astram (a remake of the 1999 Hindi film Sarfarosh), the Sundar C-directed Rendu, (which marked her debut in Tamil cinema), and a special appearance in AR Murugadoss' Telugu film Stalin. She had two releases in 2007: Lakshyam and Don. In 2008, she appeared in six films, including Okka Magaadu, Swagatam and Souryam. In 2009, Shetty played two roles in the fantasy Arundhati. She went on to win the Nandi Special Jury Award and the Filmfare Best Telugu Actress Award for this film. Her next release that year was Billa, a Telugu remake of the 2007 Tamil film of the same name. Her final release in 2009 was her second Tamil feature film, the masala film Vettaikaaran, where she appeared as a medical student.
    Shetty had a string of releases in 2010. She portrayed a prostitute in Krish's Vedam, which won her the Filmfare Award for Best Telugu Actress. Despite critical acclaim, the film failed at the box office. None of her other releases in 2010 succeeded commercially, except for her sole Tamil release of the year, the masala Singam. The following year, Anushka had two releases, both in Tamil. She reprised her Vedam role in its remake Vaanam, then appeared as an advocate in the A. L. Vijay-directed Deiva Thirumagal, a loose adaptation of the American film I Am Sam (2001). The following year, she also had two releases: Thaandavam in Tamil, and Damarukam in Telugu. Her first release in 2013 was Suraj's Tamil masala Alex Pandian, a critical and commercial failure. This was followed by Mirchi in Telugu, Singam II (where she reprised her role from Singam), and Selvaraghavan's Tamil romantic fantasy Irandaam Ulagam where she played three distinct roles. Her sole release of 2014 was K. S. Ravikumar's Lingaa. (Full article...)
  • Image 7 The Mizoram Legislative Assembly is the unicameral legislature of Mizoram state in Northeast India. The seat of the legislative assembly is at Aizawl, the capital of the state. The assembly comprises 40 members directly elected from single-seat constituencies. It sits for a term of five years, unless it is dissolved earlier. Early dissolution of state assemblies happens when the governing party (or alliance) loses confidence of the assembly. This leads to either the President's Rule being imposed on the state, or early elections being called. Mizoram is the fourth-smallest state in India, covering 21,081 km2 (8,139 sq mi); and the second-least populous state with a population of 1.10 million. The Mizoram Legislative Assembly has existed since 1972, when it had 30 constituencies. Since the independence of India, the Scheduled Tribes (ST) along with the Scheduled Castes (SC) have been given Reservation status, guaranteeing political representation, and the Constitution lays down the general principles of positive discrimination for STs and SCs. The 2011 census of India stated that the indigenous population constitutes 95% of the state's total population. The Scheduled Tribes have been granted a reservation of 39 seats in the Mizoram assembly, leaving only one (Aizawl East-I) unreserved. (Full article...)

    The Mizoram Legislative Assembly is the unicameral legislature of Mizoram state in Northeast India. The seat of the legislative assembly is at Aizawl, the capital of the state. The assembly comprises 40 members directly elected from single-seat constituencies. It sits for a term of five years, unless it is dissolved earlier. Early dissolution of state assemblies happens when the governing party (or alliance) loses confidence of the assembly. This leads to either the President's Rule being imposed on the state, or early elections being called. Mizoram is the fourth-smallest state in India, covering 21,081 km2 (8,139 sq mi); and the second-least populous state with a population of 1.10 million. The Mizoram Legislative Assembly has existed since 1972, when it had 30 constituencies.

    Since the independence of India, the Scheduled Tribes (ST) along with the Scheduled Castes (SC) have been given Reservation status, guaranteeing political representation, and the Constitution lays down the general principles of positive discrimination for STs and SCs. The 2011 census of India stated that the indigenous population constitutes 95% of the state's total population. The Scheduled Tribes have been granted a reservation of 39 seats in the Mizoram assembly, leaving only one (Aizawl East-I) unreserved. (Full article...)
  • Image 8 The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India, a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The names of recipients whose awards have been revoked or restored, both of which require the authority of the President, are archived, and recipients who are struck from the register are required to surrender their medals; none of the conferments of Padma Bhushan during 1990–1999 have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals. When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. On 15 January 1955, the Padma Vibhushan was reclassified into three different awards as the Padma Vibhushan, the Padma Bhushan and the Padma Shri. The criteria included "distinguished service of a high order in any field including service rendered by Government servants", but excluded those working with the public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards; this was subsequently modified in the January 1955 statute. The design was also changed to the form that is currently in use; it portrays a circular-shaped toned bronze medallion 1+3⁄4 inches (44 mm) in diameter and 1⁄8 inch (3.2 mm) thick. The centrally placed pattern made of outer lines of a square of 1+3⁄16 inches (30 mm) side is embossed with a knob carved within each of the outer angles of the pattern. A raised circular space of diameter 1+1⁄16 inches (27 mm) is placed at the centre of the decoration. A centrally located lotus flower is embossed on the obverse side of the medal and the text "Padma" is placed above and the text "Bhushan" is placed below the lotus written in Devanagari script. The State Emblem of India is displayed in the centre of the reverse side, together with the national motto of India, "Satyameva Jayate" (Truth alone triumphs) in Devanagari script, which is inscribed on the lower edge. The rim, the edges and all embossing on either side is of standard gold with the text "Padma Bhushan" of gold gilt. The medal is suspended by a pink riband 1+1⁄4 inches (32 mm) in width with a broad white stripe in the middle. It is ranked fifth in the order of precedence of wearing of medals and decorations of the Indian civilian and military awards. (Full article...)

    The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India, a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The names of recipients whose awards have been revoked or restored, both of which require the authority of the President, are archived, and recipients who are struck from the register are required to surrender their medals; none of the conferments of Padma Bhushan during 1990–1999 have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals.

    When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. On 15 January 1955, the Padma Vibhushan was reclassified into three different awards as the Padma Vibhushan, the Padma Bhushan and the Padma Shri. The criteria included "distinguished service of a high order in any field including service rendered by Government servants", but excluded those working with the public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards; this was subsequently modified in the January 1955 statute. The design was also changed to the form that is currently in use; it portrays a circular-shaped toned bronze medallion 1+3⁄4 inches (44 mm) in diameter and 1⁄8 inch (3.2 mm) thick. The centrally placed pattern made of outer lines of a square of 1+3⁄16 inches (30 mm) side is embossed with a knob carved within each of the outer angles of the pattern. A raised circular space of diameter 1+1⁄16 inches (27 mm) is placed at the centre of the decoration. A centrally located lotus flower is embossed on the obverse side of the medal and the text "Padma" is placed above and the text "Bhushan" is placed below the lotus written in Devanagari script. The State Emblem of India is displayed in the centre of the reverse side, together with the national motto of India, "Satyameva Jayate" (Truth alone triumphs) in Devanagari script, which is inscribed on the lower edge. The rim, the edges and all embossing on either side is of standard gold with the text "Padma Bhushan" of gold gilt. The medal is suspended by a pink riband 1+1⁄4 inches (32 mm) in width with a broad white stripe in the middle. It is ranked fifth in the order of precedence of wearing of medals and decorations of the Indian civilian and military awards. (Full article...)
  • Image 9 The chief minister of Jharkhand is the chief executive of the Indian state of Jharkhand. In accordance with the Constitution of India, the governor is a state's de jure head, but de facto executive authority rests with the chief minister. Following elections to the legislative assembly, the state's governor usually invites the party (or coalition) with a majority of seats to form the government. The governor appoints the chief minister, whose council of ministers are collectively responsible to the assembly. Given the confidence of the assembly, the chief minister's term is for five years and is subject to no term limits. Seven people have served as the state's chief minister since Jharkhand's formation on 15 November 2000. Half of them, including the inaugural officeholder Babulal Marandi, represented the Bharatiya Janata Party (BJP). His successor Arjun Munda, also from the BJP, is the longest-serving chief minister; he served for over five years, across three terms but never completed a full term. Three chief ministers, Shibu Soren, his son Hemant Soren, and Champai Soren, represented the Jharkhand Mukti Morcha (JMM). Shibu Soren's first term ended in just ten days, as he could not prove that he had the support of a majority of the house and was forced to resign. The state has also been governed by Madhu Koda, one of the few independents to become the chief minister of any state. In between their reigns, the state has also been under President's rule three times. Raghubar Das, of the BJP, was the first non-tribal and first chief minister to complete a full term in the state. Hemant Soren of the Jharkhand Mukti Morcha is the incumbent chief minister. (Full article...)

    The chief minister of Jharkhand is the chief executive of the Indian state of Jharkhand. In accordance with the Constitution of India, the governor is a state's de jure head, but de facto executive authority rests with the chief minister. Following elections to the legislative assembly, the state's governor usually invites the party (or coalition) with a majority of seats to form the government. The governor appoints the chief minister, whose council of ministers are collectively responsible to the assembly. Given the confidence of the assembly, the chief minister's term is for five years and is subject to no term limits.

    Seven people have served as the state's chief minister since Jharkhand's formation on 15 November 2000. Half of them, including the inaugural officeholder Babulal Marandi, represented the Bharatiya Janata Party (BJP). His successor Arjun Munda, also from the BJP, is the longest-serving chief minister; he served for over five years, across three terms but never completed a full term. Three chief ministers, Shibu Soren, his son Hemant Soren, and Champai Soren, represented the Jharkhand Mukti Morcha (JMM). Shibu Soren's first term ended in just ten days, as he could not prove that he had the support of a majority of the house and was forced to resign. The state has also been governed by Madhu Koda, one of the few independents to become the chief minister of any state. In between their reigns, the state has also been under President's rule three times. Raghubar Das, of the BJP, was the first non-tribal and first chief minister to complete a full term in the state. Hemant Soren of the Jharkhand Mukti Morcha is the incumbent chief minister. (Full article...)
  • Image 10 Bharatiya Janata Party The president of the Bharatiya Janata Party is the chief executive authority of the BJP, and fills a number of roles, including chairing meetings of the National Executive of the party and appointing the presidents of party subsidiaries, such its youth wing and farmer's wing. Any candidate for the presidency needs to have been a member of the party for at least 15 years. The president is nominally elected by an electoral college composed of members drawn from the party's National and State councils, but in practice is a consensus choice of senior members of the party. The term of the president is three years long, and individuals may not serve more than two consecutive terms. The president usually does not also hold a post within a government, and party chiefs have resigned the position to assume posts in Cabinet. After the party's foundation in 1980, Atal Bihari Vajpayee became its first president. He later became the prime minister of India, the only BJP president to serve in that position to date. In 1986, Lal Krishna Advani was sworn in as the party president and has been the longest serving president over three different periods. As of 2022, 11 people have served as the president of the BJP, including Rajnath Singh and Amit Shah who have also served two terms. J. P. Nadda is the most recent president, having been appointed in January 2020. (Full article...)

    Bharatiya Janata Party

    The president of the Bharatiya Janata Party is the chief executive authority of the BJP, and fills a number of roles, including chairing meetings of the National Executive of the party and appointing the presidents of party subsidiaries, such its youth wing and farmer's wing. Any candidate for the presidency needs to have been a member of the party for at least 15 years. The president is nominally elected by an electoral college composed of members drawn from the party's National and State councils, but in practice is a consensus choice of senior members of the party. The term of the president is three years long, and individuals may not serve more than two consecutive terms. The president usually does not also hold a post within a government, and party chiefs have resigned the position to assume posts in Cabinet.

    After the party's foundation in 1980, Atal Bihari Vajpayee became its first president. He later became the prime minister of India, the only BJP president to serve in that position to date. In 1986, Lal Krishna Advani was sworn in as the party president and has been the longest serving president over three different periods. As of 2022, 11 people have served as the president of the BJP, including Rajnath Singh and Amit Shah who have also served two terms. J. P. Nadda is the most recent president, having been appointed in January 2020. (Full article...)
  • Image 11 The Wanderers Stadium, Johannesburg, where India played their first ever Twenty20 International A Twenty20 International (T20I) is a form of cricket match between two representative teams, each having T20I status as determined by the International Cricket Council (ICC), and is played under the rules of Twenty20 cricket. The first such match was played between Australia and New Zealand on 17 February 2005. The Indian cricket team played its first T20I match—under the captaincy of Virender Sehwag—during the 2006–07 series in South Africa; India defeated the hosts by six wickets in the one-off match and claimed the series. As of July 2024, 115 players have represented India in T20Is. India won the inaugural edition of the ICC World Twenty20, defeating Pakistan in the final by five runs. (Full article...)
    Wanderers Stadium
    The Wanderers Stadium, Johannesburg, where India played their first ever Twenty20 International


    A Twenty20 International (T20I) is a form of cricket match between two representative teams, each having T20I status as determined by the International Cricket Council (ICC), and is played under the rules of Twenty20 cricket. The first such match was played between Australia and New Zealand on 17 February 2005. The Indian cricket team played its first T20I match—under the captaincy of Virender Sehwag—during the 2006–07 series in South Africa; India defeated the hosts by six wickets in the one-off match and claimed the series.

    As of July 2024, 115 players have represented India in T20Is. India won the inaugural edition of the ICC World Twenty20, defeating Pakistan in the final by five runs. (Full article...)
  • Image 12 Thondimuthalum Driksakshiyum is a 2017 Indian Malayalam-language thriller-drama film directed by Dileesh Pothan. The film stars Fahadh Faasil, Suraj Venjaramoodu,Nimisha Sajayan, Alencier Ley Lopez, Vettukili Prakash, and Sibi Thomas. It was written by Sajeev Pazhoor along with Syam Pushkaran who was also creative director. Bijibal composed the music while Rajeev Ravi handled the cinematography. Produced on a budget of ₹65 million, Thondimuthalum Driksakshiyum was released on 30 June 2017 and grossed ₹175 million in Kerala. The film was cited as one of the "Top 5 Malayalam movies in 2017" and "The 25 best Malayalam films of the decade" by The Hindu. The film garnered awards and nominations in several categories, with particular praise for its direction, screenplay and Fahadh's performance. The film won 36 awards from 45 nominations. (Full article...)
    Thondimuthalum Driksakshiyum is a 2017 Indian Malayalam-language thriller-drama film directed by Dileesh Pothan. The film stars Fahadh Faasil, Suraj Venjaramoodu,Nimisha Sajayan, Alencier Ley Lopez, Vettukili Prakash, and Sibi Thomas. It was written by Sajeev Pazhoor along with Syam Pushkaran who was also creative director. Bijibal composed the music while Rajeev Ravi handled the cinematography.

    Produced on a budget of ₹65 million, Thondimuthalum Driksakshiyum was released on 30 June 2017 and grossed ₹175 million in Kerala. The film was cited as one of the "Top 5 Malayalam movies in 2017" and "The 25 best Malayalam films of the decade" by The Hindu. The film garnered awards and nominations in several categories, with particular praise for its direction, screenplay and Fahadh's performance. The film won 36 awards from 45 nominations. (Full article...)
  • Image 13 Khan in 2017 Indian actor Aamir Khan first appeared on screen at the age of eight in a minor role in his uncle Nasir Hussain's film Yaadon Ki Baaraat (1973). In 1983, he acted in and worked as an assistant director on Paranoia, a short film directed by Aditya Bhattacharya, following which he assisted Hussain on two of his directorial ventures—Manzil Manzil (1984) and Zabardast (1985). As an adult, Khan's first acting project was a brief role in the 1984 experimental social drama Holi. Khan's first leading role came opposite Juhi Chawla in the highly successful tragic romance Qayamat Se Qayamat Tak (1988). His performance in the film and in the thriller Raakh (1989) earned him a National Film Award – Special Mention. He went on to establish himself with roles in several lucrative films of the 1990s, including the romantic drama Dil (1990), the comedy-drama Hum Hain Rahi Pyar Ke (1993), and the romance Raja Hindustani (1996). He also played against type in the Deepa Mehta-directed Canadian-Indian co-production Earth (1998). In 1999, Khan launched a production company, Aamir Khan Productions, whose first release Lagaan (2001) was nominated for the Academy Award for Best Foreign Language Film, and earned him the National Film Award for Best Popular Film. Also in 2001, he starred alongside Saif Ali Khan and Akshaye Khanna in the acclaimed coming-of-age drama Dil Chahta Hai. Lagaan and Dil Chahta Hai are cited in the media as defining films of Hindi cinema. After a three-year hiatus, Khan portrayed the eponymous lead in Mangal Pandey: The Rising (2005), a period film that underperformed at the box office, after which he played leading roles in two top-grossing films of 2006—Fanaa and Rang De Basanti. (Full article...)
    Khan in 2017

    Indian actor Aamir Khan first appeared on screen at the age of eight in a minor role in his uncle Nasir Hussain's film Yaadon Ki Baaraat (1973). In 1983, he acted in and worked as an assistant director on Paranoia, a short film directed by Aditya Bhattacharya, following which he assisted Hussain on two of his directorial ventures—Manzil Manzil (1984) and Zabardast (1985). As an adult, Khan's first acting project was a brief role in the 1984 experimental social drama Holi.

    Khan's first leading role came opposite Juhi Chawla in the highly successful tragic romance Qayamat Se Qayamat Tak (1988). His performance in the film and in the thriller Raakh (1989) earned him a National Film Award – Special Mention. He went on to establish himself with roles in several lucrative films of the 1990s, including the romantic drama Dil (1990), the comedy-drama Hum Hain Rahi Pyar Ke (1993), and the romance Raja Hindustani (1996). He also played against type in the Deepa Mehta-directed Canadian-Indian co-production Earth (1998). In 1999, Khan launched a production company, Aamir Khan Productions, whose first release Lagaan (2001) was nominated for the Academy Award for Best Foreign Language Film, and earned him the National Film Award for Best Popular Film. Also in 2001, he starred alongside Saif Ali Khan and Akshaye Khanna in the acclaimed coming-of-age drama Dil Chahta Hai. Lagaan and Dil Chahta Hai are cited in the media as defining films of Hindi cinema. After a three-year hiatus, Khan portrayed the eponymous lead in Mangal Pandey: The Rising (2005), a period film that underperformed at the box office, after which he played leading roles in two top-grossing films of 2006—Fanaa and Rang De Basanti. (Full article...)
  • Image 14 Vikram Vedha is a 2017 Indian Tamil-language neo-noir action thriller film directed and written by the husband and wife duo Pushkar–Gayathri and produced by S. Sashikanth under the banner of YNOT Studios. R. Madhavan and Vijay Sethupathi play the title characters Vikram and Vedha respectively. Shraddha Srinath, Kathir and Varalaxmi Sarathkumar play the other lead roles while Prem, Achyuth Kumar, Hareesh Peradi and Vivek Prasanna feature as supporting characters. Sam C. S. composed the film's soundtrack and score. Richard Kevin and P. S. Vinod was in charge of the editing and cinematography respectively. A contemporary adaptation of the Indian folktale Baital Pachisi, the film follows Vikram, a police inspector who is decisive about good and evil, and the head of an encounter unit which is formed to track down and kill Vedha, a gangster. When the unit makes plans for another encounter, Vedha walks into the police station and voluntarily surrenders himself. He then tells Vikram three stories which bring about a change in the latter's perceptions of right and wrong. (Full article...)

    Vikram Vedha is a 2017 Indian Tamil-language neo-noir action thriller film directed and written by the husband and wife duo Pushkar–Gayathri and produced by S. Sashikanth under the banner of YNOT Studios. R. Madhavan and Vijay Sethupathi play the title characters Vikram and Vedha respectively. Shraddha Srinath, Kathir and Varalaxmi Sarathkumar play the other lead roles while Prem, Achyuth Kumar, Hareesh Peradi and Vivek Prasanna feature as supporting characters. Sam C. S. composed the film's soundtrack and score. Richard Kevin and P. S. Vinod was in charge of the editing and cinematography respectively.

    A contemporary adaptation of the Indian folktale Baital Pachisi, the film follows Vikram, a police inspector who is decisive about good and evil, and the head of an encounter unit which is formed to track down and kill Vedha, a gangster. When the unit makes plans for another encounter, Vedha walks into the police station and voluntarily surrenders himself. He then tells Vikram three stories which bring about a change in the latter's perceptions of right and wrong. (Full article...)
  • Image 15 Kaif in 2016 Katrina Kaif is a British actress who predominantly appears in Bollywood films. She made her film debut in the 2003 heist film Boom, a box office bomb. She then played the titular princess in the Telugu film Malliswari (2004). Kaif had her first success in Bollywood when she appeared opposite Salman Khan in David Dhawan's romantic comedy Maine Pyaar Kyun Kiya?. The 2006 musical romance Humko Deewana Kar Gaye saw Kaif pair opposite Akshay Kumar for the first of many films, though the film was a critical and financial failure. Beginning with Namastey London, the year 2007 marked a turning point in her career when all four releases proved to be successful at the box-office. Among these were two of the highest grossing productions of the year, the comedies Partner and Welcome. following year, Kaif appeared in three films including the action comedy Singh Is Kinng. In 2009, Kaif received a nomination for the Filmfare Award for Best Actress for her performance in Kabir Khan's terrorism drama New York. Later that year, she starred opposite Ranbir Kapoor in the comedy Ajab Prem Ki Ghazab Kahani. In 2010, Kaif portrayed the role of a politician in Prakash Jha's political thriller Raajneeti and an aspiring actress in Tees Maar Khan. While the former was a box-office hit, the latter was a critical and commercial failure. Kaif starred alongside an ensemble cast in Zoya Akhtar's comedy drama Zindagi Na Milegi Dobara (2011). She received her second Filmfare Award nomination for Best Actress for her portrayal of a runaway bride in the romantic comedy Mere Brother Ki Dulhan (2011). (Full article...)
    Kaif in 2016

    Katrina Kaif is a British actress who predominantly appears in Bollywood films. She made her film debut in the 2003 heist film Boom, a box office bomb. She then played the titular princess in the Telugu film Malliswari (2004). Kaif had her first success in Bollywood when she appeared opposite Salman Khan in David Dhawan's romantic comedy Maine Pyaar Kyun Kiya?. The 2006 musical romance Humko Deewana Kar Gaye saw Kaif pair opposite Akshay Kumar for the first of many films, though the film was a critical and financial failure. Beginning with Namastey London, the year 2007 marked a turning point in her career when all four releases proved to be successful at the box-office. Among these were two of the highest grossing productions of the year, the comedies Partner and Welcome. following year, Kaif appeared in three films including the action comedy Singh Is Kinng.

    In 2009, Kaif received a nomination for the Filmfare Award for Best Actress for her performance in Kabir Khan's terrorism drama New York. Later that year, she starred opposite Ranbir Kapoor in the comedy Ajab Prem Ki Ghazab Kahani. In 2010, Kaif portrayed the role of a politician in Prakash Jha's political thriller Raajneeti and an aspiring actress in Tees Maar Khan. While the former was a box-office hit, the latter was a critical and commercial failure. Kaif starred alongside an ensemble cast in Zoya Akhtar's comedy drama Zindagi Na Milegi Dobara (2011). She received her second Filmfare Award nomination for Best Actress for her portrayal of a runaway bride in the romantic comedy Mere Brother Ki Dulhan (2011). (Full article...)
  • Image 16 The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India—a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The name of a recipient, whose award has been revoked or restored, both of which require the authority of the President, is archived and they are required to surrender their medal when their name is struck from the register. As of 2019[update], none of the conferments of Padma Bhushan during the 2010s have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals. When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. On 15 January 1955, the Padma Vibhushan was reclassified into three different awards as the Padma Vibhushan, the Padma Bhushan and the Padma Shri. The criteria included "distinguished service of a high order in any field including service rendered by Government servants", but excluded those working with the public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards; this was subsequently modified in the January 1955 statute. The design was also changed to the form that is currently in use; it portrays a circular-shaped toned bronze medallion 1+3⁄4 inches (44 mm) in diameter and 1⁄8 inch (3.2 mm) thick. The centrally placed pattern made of outer lines of a square of 1+3⁄16 inches (30 mm) side is embossed with a knob carved within each of the outer angles of the pattern. A raised circular space of diameter 1+1⁄16 inches (27 mm) is placed at the centre of the decoration. A centrally located lotus flower is embossed on the obverse side of the medal and the text "Padma" is placed above and the text "Bhushan" is placed below the lotus written in Devanagari script. The State Emblem of India is displayed in the centre of the reverse side, together with the national motto of India, "Satyameva Jayate" (Truth alone triumphs) in Devanagari script, which is inscribed on the lower edge. The rim, the edges and all embossing on either side is of standard gold with the text "Padma Bhushan" of gold gilt. The medal is suspended by a pink riband 1+1⁄4 inches (32 mm) in width with a broad white stripe in the middle. It is ranked fifth in the order of precedence of wearing of medals and decorations of the Indian civilian and military awards. (Full article...)

    The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India—a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The name of a recipient, whose award has been revoked or restored, both of which require the authority of the President, is archived and they are required to surrender their medal when their name is struck from the register. As of 2019, none of the conferments of Padma Bhushan during the 2010s have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals.

    When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. On 15 January 1955, the Padma Vibhushan was reclassified into three different awards as the Padma Vibhushan, the Padma Bhushan and the Padma Shri. The criteria included "distinguished service of a high order in any field including service rendered by Government servants", but excluded those working with the public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards; this was subsequently modified in the January 1955 statute. The design was also changed to the form that is currently in use; it portrays a circular-shaped toned bronze medallion 1+3⁄4 inches (44 mm) in diameter and 1⁄8 inch (3.2 mm) thick. The centrally placed pattern made of outer lines of a square of 1+3⁄16 inches (30 mm) side is embossed with a knob carved within each of the outer angles of the pattern. A raised circular space of diameter 1+1⁄16 inches (27 mm) is placed at the centre of the decoration. A centrally located lotus flower is embossed on the obverse side of the medal and the text "Padma" is placed above and the text "Bhushan" is placed below the lotus written in Devanagari script. The State Emblem of India is displayed in the centre of the reverse side, together with the national motto of India, "Satyameva Jayate" (Truth alone triumphs) in Devanagari script, which is inscribed on the lower edge. The rim, the edges and all embossing on either side is of standard gold with the text "Padma Bhushan" of gold gilt. The medal is suspended by a pink riband 1+1⁄4 inches (32 mm) in width with a broad white stripe in the middle. It is ranked fifth in the order of precedence of wearing of medals and decorations of the Indian civilian and military awards. (Full article...)
  • Image 17 The high courts of India are the highest courts of appellate jurisdiction in each state and union territory of India. However, a high court exercises its original civil and criminal jurisdiction only if the subordinate courts are not authorized by law to try such matters for lack of peculiar or territorial jurisdiction. High courts may also enjoy original jurisdiction in certain matters, if so designated, especially by the constitution, a state law or union law. The work of most high courts primarily consists of appeals from lower courts and writ petitions in terms of Articles 226 and 227 of the Constitution. Writ jurisdiction is also the original jurisdiction of a high court. (Full article...)
    The high courts of India are the highest courts of appellate jurisdiction in each state and union territory of India. However, a high court exercises its original civil and criminal jurisdiction only if the subordinate courts are not authorized by law to try such matters for lack of peculiar or territorial jurisdiction. High courts may also enjoy original jurisdiction in certain matters, if so designated, especially by the constitution, a state law or union law.

    The work of most high courts primarily consists of appeals from lower courts and writ petitions in terms of Articles 226 and 227 of the Constitution. Writ jurisdiction is also the original jurisdiction of a high court. (Full article...)
  • Image 18 The state president of the Indian National Congress is the state-level highest command of the Indian National Congress (INC), responsible for leading in political campaigns at state level. State presidents shoulder a diverse array of roles and responsibilities integral to the effective functioning of the party at the state-level. Also known as the leader of the state and union territory party, a state president is chosen by the party president. Being the higher decision-making body, state presidents actively contribute to the formulation of state-level policies, representing the party's stance on relevant issues and engaging in the development and implementation of election strategies during state elections. In addition, a state president is tasked with overseeing the organizational structure of the Pradesh Congress Committee, including the appointment and coordination of leaders at various levels, such as the district committee, block committee, and each panchayat development block or panchayat samiti. Serving as a spokesperson for the party in the state, they communicate the party's positions to the media and keep party members informed about policies and decisions. State presidents also play a pivotal role in building and maintaining the party's membership, reaching out to diverse sections of society and addressing their concerns to advance the party's agenda. (Full article...)
    The state president of the Indian National Congress is the state-level highest command of the Indian National Congress (INC), responsible for leading in political campaigns at state level. State presidents shoulder a diverse array of roles and responsibilities integral to the effective functioning of the party at the state-level. Also known as the leader of the state and union territory party, a state president is chosen by the party president.

    Being the higher decision-making body, state presidents actively contribute to the formulation of state-level policies, representing the party's stance on relevant issues and engaging in the development and implementation of election strategies during state elections. In addition, a state president is tasked with overseeing the organizational structure of the Pradesh Congress Committee, including the appointment and coordination of leaders at various levels, such as the district committee, block committee, and each panchayat development block or panchayat samiti. Serving as a spokesperson for the party in the state, they communicate the party's positions to the media and keep party members informed about policies and decisions. State presidents also play a pivotal role in building and maintaining the party's membership, reaching out to diverse sections of society and addressing their concerns to advance the party's agenda. (Full article...)
  • Image 19 Citation plaque The Jnanpith Award is the oldest and the highest Indian literary award presented annually by the Bharatiya Jnanpith to an author for their "outstanding contribution towards literature". Instituted in 1961, the award is bestowed only on Indian writers writing in Indian languages included in the Eighth Schedule to the Constitution of India and English, with no posthumous conferral. From 1965 till 1981, the award was given to the authors for their "most outstanding work" and consisted of a citation plaque, a cash prize and a bronze replica of Saraswati, the Hindu goddess of knowledge and wisdom. The first recipient of the award was the Malayalam writer G. Sankara Kurup who received the award in 1965 for his collection of poems, Odakkuzhal (The Bamboo Flute), published in 1950. The rules were revised in subsequent years to consider only works published during the preceding twenty years, excluding the year for which the award was to be given and the cash prize was increased to ₹1.5 lakh (equivalent to ₹31 lakh or US$37,000 in 2023) from 1981. (Full article...)

    Citation plaque

    The Jnanpith Award is the oldest and the highest Indian literary award presented annually by the Bharatiya Jnanpith to an author for their "outstanding contribution towards literature". Instituted in 1961, the award is bestowed only on Indian writers writing in Indian languages included in the Eighth Schedule to the Constitution of India and English, with no posthumous conferral.

    From 1965 till 1981, the award was given to the authors for their "most outstanding work" and consisted of a citation plaque, a cash prize and a bronze replica of Saraswati, the Hindu goddess of knowledge and wisdom. The first recipient of the award was the Malayalam writer G. Sankara Kurup who received the award in 1965 for his collection of poems, Odakkuzhal (The Bamboo Flute), published in 1950. The rules were revised in subsequent years to consider only works published during the preceding twenty years, excluding the year for which the award was to be given and the cash prize was increased to ₹1.5 lakh (equivalent to ₹31 lakh or US$37,000 in 2023) from 1981. (Full article...)
  • Image 20 Mani Ratnam is an Indian filmmaker who works predominantly in Tamil cinema. Regarded as one of the greatest Indian filmmakers, he is credited with redefining the "range and depth of Tamil cinema". As of 2019, he has directed 28 films, and produced over 15 under his production company Madras Talkies. Mani Ratnam made his directorial debut, without formal training or education in filmmaking, with the Kannada film Pallavi Anu Pallavi (1983). The critically acclaimed film, which he also wrote, won him the Karnataka State Film Award for Best Screenplay. Then he entered Malayalam film industry with Unaroo, which was based on then prevailing trade union politics. His first Tamil film Pagal Nilavu (1985) was a commercial failure, but immediately followed Idaya Kovil (1985) found theatrical success. The following year, he made the romantic drama Mouna Ragam, which narrated the story of a young woman who is forced into an arranged marriage by her family. The critical and commercial success of the film established him as a leading filmmaker in Tamil cinema. His next release Nayakan, starring Kamal Haasan, was inspired by the life of the Bombay-based gangster Varadarajan Mudaliar. The film was submitted by India as its official entry for the 60th Academy Awards. Later in 2005, Nayakan was included in Time's "All-Time 100 Movies" list. Mani Ratnam followed this with the tragic romance Geethanjali (1989), which marked his Telugu cinema debut; the tragedy Anjali (1990), which narrated the story of an autistic child; and the crime drama Thalapathi (1991), loosely adapted from the Indian epic Mahabharata. In 1992, he made the romantic thriller Roja for Kavithalayaa Productions. The film was dubbed into many Indian languages, including Hindi, and its widespread success brought national recognition to Mani Ratnam. Three years later, he made Bombay (1995), which was based on the 1992–93 Bombay riots. Although controversial for its depiction of religious riots, the film met with wide critical acclaim and became commercially successful in India. (Full article...)
    Mani Ratnam is an Indian filmmaker who works predominantly in Tamil cinema. Regarded as one of the greatest Indian filmmakers, he is credited with redefining the "range and depth of Tamil cinema". As of 2019, he has directed 28 films, and produced over 15 under his production company Madras Talkies.

    Mani Ratnam made his directorial debut, without formal training or education in filmmaking, with the Kannada film Pallavi Anu Pallavi (1983). The critically acclaimed film, which he also wrote, won him the Karnataka State Film Award for Best Screenplay. Then he entered Malayalam film industry with Unaroo, which was based on then prevailing trade union politics. His first Tamil film Pagal Nilavu (1985) was a commercial failure, but immediately followed Idaya Kovil (1985) found theatrical success. The following year, he made the romantic drama Mouna Ragam, which narrated the story of a young woman who is forced into an arranged marriage by her family. The critical and commercial success of the film established him as a leading filmmaker in Tamil cinema. His next release Nayakan, starring Kamal Haasan, was inspired by the life of the Bombay-based gangster Varadarajan Mudaliar. The film was submitted by India as its official entry for the 60th Academy Awards. Later in 2005, Nayakan was included in Time's "All-Time 100 Movies" list. Mani Ratnam followed this with the tragic romance Geethanjali (1989), which marked his Telugu cinema debut; the tragedy Anjali (1990), which narrated the story of an autistic child; and the crime drama Thalapathi (1991), loosely adapted from the Indian epic Mahabharata. In 1992, he made the romantic thriller Roja for Kavithalayaa Productions. The film was dubbed into many Indian languages, including Hindi, and its widespread success brought national recognition to Mani Ratnam. Three years later, he made Bombay (1995), which was based on the 1992–93 Bombay riots. Although controversial for its depiction of religious riots, the film met with wide critical acclaim and became commercially successful in India. (Full article...)
  • Image 21 Aadukalam (transl. Arena) is a 2011 Indian Tamil-language drama film written and directed by Vetrimaaran and produced by S. Kathiresan. Vetrimaaran co-wrote the dialogues with Vikram Sugumaran. The film stars Dhanush and Taapsee Pannu with Kishore, V. I. S. Jayapalan, Naren, and Murugadoss playing supporting roles. The musical score was composed by G. V. Prakash Kumar while the cinematography and editing were respectively handled by Velraj and Kishore Te. The film's story revolves around Karuppu who is the understudy of an experienced cockfighter, Pettaikaran. When Karuppu wins in a cockfight against Pettaikaran's rival Rathnasamy, Pettaikaran, who is initially happy, becomes jealous of Karuppu's newfound popularity and plots his downfall. Produced on a budget of ₹150-200 million, Aadukalam was released on 14 January 2011 and grossed ₹300 million according to a February 2011 report by The Economic Times. The film garnered awards and nominations in several categories, with particular praise for its direction, screenplay, Dhanush's performance, music, cinematography, and editing. The film has won 33 awards from 52 nominations. (Full article...)
    Aadukalam (transl. Arena) is a 2011 Indian Tamil-language drama film written and directed by Vetrimaaran and produced by S. Kathiresan. Vetrimaaran co-wrote the dialogues with Vikram Sugumaran. The film stars Dhanush and Taapsee Pannu with Kishore, V. I. S. Jayapalan, Naren, and Murugadoss playing supporting roles. The musical score was composed by G. V. Prakash Kumar while the cinematography and editing were respectively handled by Velraj and Kishore Te. The film's story revolves around Karuppu who is the understudy of an experienced cockfighter, Pettaikaran. When Karuppu wins in a cockfight against Pettaikaran's rival Rathnasamy, Pettaikaran, who is initially happy, becomes jealous of Karuppu's newfound popularity and plots his downfall.

    Produced on a budget of ₹150-200 million, Aadukalam was released on 14 January 2011 and grossed ₹300 million according to a February 2011 report by The Economic Times. The film garnered awards and nominations in several categories, with particular praise for its direction, screenplay, Dhanush's performance, music, cinematography, and editing. The film has won 33 awards from 52 nominations. (Full article...)
  • Image 22 Vidya Balan's performance in Kahaani garnered her several awards and nominations Kahaani (transl. Story) is a 2012 Indian mystery thriller film directed and co-produced by Sujoy Ghosh. The film stars Vidya Balan as the protagonist, and features Parambrata Chatterjee, Nawazuddin Siddiqui, and Saswata Chatterjee in supporting roles. The film was edited by Namrata Rao, with the cinematography provided by Setu. Set in the city of Kolkata during the festivities of Durga Puja, Kahaani follows the life of a pregnant woman, Vidya Bagchi (Vidya Balan), in search of her husband, a man whose existence is denied by the people she encounters. Made on a budget of ₹80 million (US$960,000), Kahaani was released on 9 March 2012 and grossed over ₹1.04 billion (US$12 million) worldwide after a 50-day theatrical run. The film garnered awards and nominations in several categories, with particular praise for its direction and the performance of the lead actress. As of 2014, the film has won 28 awards. (Full article...)
    A picture of Vidya Balan, looking towards the camera.
    Vidya Balan's performance in Kahaani garnered her several awards and nominations

    Kahaani (transl. Story) is a 2012 Indian mystery thriller film directed and co-produced by Sujoy Ghosh. The film stars Vidya Balan as the protagonist, and features Parambrata Chatterjee, Nawazuddin Siddiqui, and Saswata Chatterjee in supporting roles. The film was edited by Namrata Rao, with the cinematography provided by Setu. Set in the city of Kolkata during the festivities of Durga Puja, Kahaani follows the life of a pregnant woman, Vidya Bagchi (Vidya Balan), in search of her husband, a man whose existence is denied by the people she encounters.

    Made on a budget of ₹80 million (US$960,000), Kahaani was released on 9 March 2012 and grossed over ₹1.04 billion (US$12 million) worldwide after a 50-day theatrical run. The film garnered awards and nominations in several categories, with particular praise for its direction and the performance of the lead actress. As of 2014, the film has won 28 awards. (Full article...)
  • Image 23 Kapoor in 2022 Ranbir Kapoor is an Indian actor who appears in Hindi films. He worked as an assistant director on the films Aa Ab Laut Chalen (1999) and Black (2005), before making his acting debut opposite Sonam Kapoor in Sanjay Leela Bhansali's romantic drama Saawariya (2007). It earned Kapoor the Filmfare Award for Best Male Debut. He established himself in 2009 with leading roles in three films—the coming-of-age drama Wake Up Sid, the comedy Ajab Prem Ki Ghazab Kahani and the drama Rocket Singh: Salesman of the Year. He won the Filmfare Critics Award for Best Actor for his combined work in these three films. In 2010, Kapoor played a character based on Arjuna and Michael Corleone in the commercially successful political thriller Raajneeti. From 2011 to 2013, Kapoor's releases were among the highest-grossing Hindi films of their respective years. In Imtiaz Ali's musical Rockstar (2011), he played an aspiring singer, and in Anurag Basu's comedy-drama Barfi! (2012), he starred as a joyful deaf and mute man. His performance in both films was critically acclaimed and he earned two consecutive Best Actor awards at Filmfare and the former also earned him a Filmfare Critics Award for Best Actor. The romantic comedy Yeh Jawaani Hai Deewani (2013) further established him as a star. (Full article...)
    A face shot of Ranbir Kapoor
    Kapoor in 2022

    Ranbir Kapoor is an Indian actor who appears in Hindi films. He worked as an assistant director on the films Aa Ab Laut Chalen (1999) and Black (2005), before making his acting debut opposite Sonam Kapoor in Sanjay Leela Bhansali's romantic drama Saawariya (2007). It earned Kapoor the Filmfare Award for Best Male Debut. He established himself in 2009 with leading roles in three films—the coming-of-age drama Wake Up Sid, the comedy Ajab Prem Ki Ghazab Kahani and the drama Rocket Singh: Salesman of the Year. He won the Filmfare Critics Award for Best Actor for his combined work in these three films. In 2010, Kapoor played a character based on Arjuna and Michael Corleone in the commercially successful political thriller Raajneeti.

    From 2011 to 2013, Kapoor's releases were among the highest-grossing Hindi films of their respective years. In Imtiaz Ali's musical Rockstar (2011), he played an aspiring singer, and in Anurag Basu's comedy-drama Barfi! (2012), he starred as a joyful deaf and mute man. His performance in both films was critically acclaimed and he earned two consecutive Best Actor awards at Filmfare and the former also earned him a Filmfare Critics Award for Best Actor. The romantic comedy Yeh Jawaani Hai Deewani (2013) further established him as a star. (Full article...)
  • Image 24 Ashwin has taken a pair of five-wicket hauls in a match on four occasions. In cricket, a five-wicket haul (also known as a "fifer") refers to a bowler taking five or more wickets in a single innings. This is regarded as a notable achievement, and as of October 2024[update] only 54 bowlers have taken 15 or more five-wicket hauls at international level in their cricketing careers. Ravichandran Ashwin – a right-arm off break bowler – is a Test, One Day International (ODI) and Twenty20 International (T20I) cricketer who represents the India national cricket team. In a 2016 interview, former Sri Lankan cricketer Muttiah Muralitharan described Ashwin as the "best current Test spinner". As of September 2024[update], Ashwin has taken 37 five-wicket hauls in international cricket; he ranks joint-fourth in the all-time list, and joint-first among his countrymen. Ashwin made his Test debut in November 2011 against the West Indies. He took nine wickets in the match, including a five-wicket haul in the second innings. India won the match and his performance earned him the man of the match honour. His career-best figures of seven wickets for 59 runs came against New Zealand in October 2016; in the process he also became the fifth bowler to take six five-wicket hauls against them. He has picked up ten or more wickets in a match on seven occasions. Ashwin made his ODI and T20I debuts in June 2010 against Sri Lanka and Zimbabwe, respectively, and is yet to take a five-wicket haul in both formats. His four wickets for 25 runs against the United Arab Emirates in the 2015 World Cup remain his best in ODIs, while his figures of four wickets for 8 runs against Sri Lanka are his best in T20Is. (Full article...)
    Ravichandran Ashwin
    Ashwin has taken a pair of five-wicket hauls in a match on four occasions.


    In cricket, a five-wicket haul (also known as a "fifer") refers to a bowler taking five or more wickets in a single innings. This is regarded as a notable achievement, and as of October 2024 only 54 bowlers have taken 15 or more five-wicket hauls at international level in their cricketing careers. Ravichandran Ashwin – a right-arm off break bowler – is a Test, One Day International (ODI) and Twenty20 International (T20I) cricketer who represents the India national cricket team. In a 2016 interview, former Sri Lankan cricketer Muttiah Muralitharan described Ashwin as the "best current Test spinner". As of September 2024, Ashwin has taken 37 five-wicket hauls in international cricket; he ranks joint-fourth in the all-time list, and joint-first among his countrymen.

    Ashwin made his Test debut in November 2011 against the West Indies. He took nine wickets in the match, including a five-wicket haul in the second innings. India won the match and his performance earned him the man of the match honour. His career-best figures of seven wickets for 59 runs came against New Zealand in October 2016; in the process he also became the fifth bowler to take six five-wicket hauls against them. He has picked up ten or more wickets in a match on seven occasions. Ashwin made his ODI and T20I debuts in June 2010 against Sri Lanka and Zimbabwe, respectively, and is yet to take a five-wicket haul in both formats. His four wickets for 25 runs against the United Arab Emirates in the 2015 World Cup remain his best in ODIs, while his figures of four wickets for 8 runs against Sri Lanka are his best in T20Is. (Full article...)
  • Image 25 The Sunrisers Hyderabad (often abbreviated as SRH) are a franchise cricket team based in Hyderabad, Telangana, that compete in the Indian Premier League (IPL). The team is owned by Kalanithi Maran of the Sun TV Network who won the bid for the franchise at ₹850.5 million per year on a five-year deal in 2012 following the termination of the previous Hyderabad-based franchise, Deccan Chargers, from the IPL. Having made its first IPL playoffs appearance in its debut season in 2013, the team has qualified for the playoffs every year since the 2016 season. They have reached the finals twice, most recently during the 2018 season, and won their only title in the 2016 season after defeating the Royal Challengers Bangalore by 8 runs in the Final. As of June 2022[update], the team was captained by Kane Williamson and coached by Tom Moody with Simon Helmot as assistant coach, Muttiah Muralitharan and Dale Steyn as bowling coaches, Brian Lara as batting coach and Hemang Badani as fielding coach. The team has played its home matches in the 55,000-capacity Rajiv Gandhi International Cricket Stadium in Hyderabad since its inception. The coronavirus pandemic impacted the brand value of the Sunrisers Hyderabad which was estimated to be US$57.4million in 2020 as the overall brand of IPL was decreased to US$4.4billion, according to Brand Finance. (Full article...)
    The Sunrisers Hyderabad (often abbreviated as SRH) are a franchise cricket team based in Hyderabad, Telangana, that compete in the Indian Premier League (IPL). The team is owned by Kalanithi Maran of the Sun TV Network who won the bid for the franchise at ₹850.5 million per year on a five-year deal in 2012 following the termination of the previous Hyderabad-based franchise, Deccan Chargers, from the IPL. Having made its first IPL playoffs appearance in its debut season in 2013, the team has qualified for the playoffs every year since the 2016 season. They have reached the finals twice, most recently during the 2018 season, and won their only title in the 2016 season after defeating the Royal Challengers Bangalore by 8 runs in the Final.
    As of June 2022, the team was captained by Kane Williamson and coached by Tom Moody with Simon Helmot as assistant coach, Muttiah Muralitharan and Dale Steyn as bowling coaches, Brian Lara as batting coach and Hemang Badani as fielding coach. The team has played its home matches in the 55,000-capacity Rajiv Gandhi International Cricket Stadium in Hyderabad since its inception. The coronavirus pandemic impacted the brand value of the Sunrisers Hyderabad which was estimated to be US$57.4million in 2020 as the overall brand of IPL was decreased to US$4.4billion, according to Brand Finance. (Full article...)
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13 November 2024 – 2024 Indo-Pakistani smog
New Delhi, India, reports its 15th consecutive day with a "very poor" recorded air quality index due to significant air pollution causing zero meter visibility smog. (The Hindu)
13 November 2024 – Bulldozer Justice
The Supreme Court of India rules that it is unconstitutional for the government to demolish property belonging to people suspected of crimes without a legal process, a practice common in states ruled by the Bharatiya Janata Party. (The Times of India) (DW)
4 November 2024 – 2024 Almora bus accident
At least 36 people are killed and 27 others are injured when a bus plunges into a gorge near Marchula, Uttarakhand, India. (The Indian Express) (ABC News)
3 November 2024 – Insurgency in Jammu and Kashmir
At least eleven people are injured in a grenade explosion caused by an unknown militant group in a flea market in Srinagar, Jammu and Kashmir, India. (Reuters)
Three rebels are killed and four security personnel are injured during two separate shootouts in Anantnag district, Jammu and Kashmir, India. (AP)

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